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Broken English Deluxe Edition


Price: £17.43 & FREE Delivery in the UK. Details
Includes FREE MP3 version of this album.
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Music

Image of album by Marianne Faithfull

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Biography

Marianne Faithfull’s long and distinguished career has seen her emerge as one of the most original female singersongwriters this country has produced; Utterly unsentimental yet somehow affectionate, Marianne possesses that rare ability to transform any lyric into something compelling and utterly personal; and not just on her own songs, for she has become a master of the art of finding ... Read more in Amazon's Marianne Faithfull Store

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Frequently Bought Together

Broken English + Dangerous Acquaintances [Australian Import]
Price For Both: £23.93

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Product details

  • Audio CD (28 Jan. 2013)
  • Number of Discs: 2
  • Format: Deluxe Edition
  • Label: Commercial Marketing
  • ASIN: B008YBOGVG
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (39 customer reviews)
  • Amazon Bestsellers Rank: 75,017 in Music (See Top 100 in Music)

Disc: 1
1. Broken English
2. Witches' Song
3. Brain Drain
4. Guilt
5. The Ballad Of Lucy Jordan
6. What's The Hurry?
7. Working Class Hero
8. Why'd Ya Do It
9. Witches Song/ The Ballad Of Lucy Jordan/ Broken English
Disc: 2
1. Broken English
2. Witches' Song
3. Brain Drain
4. Guilt
5. The Ballad Of Lucy Jordan
6. What's The Hurry
7. Working Class Hero
8. Why'd Ya Do It?
9. Sister Morphine
10. Broken English
See all 13 tracks on this disc

Product Description

Product Description

Re-mastered and expanded deluxe version of Marianne Faithfull’s 1979 debut album for Island Records, Broken English.

Disc One contains the original album as an enhanced disc which also features the short 12 minute film specially commissioned for the album release and directed by Derek Jarman. It’s basically three promotional videos for "Witches Song", "The Ballad of Lucy Jordan" and "Broken English", featuring unique footage of Marianne spliced together with stock footage and some of Derek Jarman’s trademark Super-8 film. This is the first time that this film has ever been commercially available.

Disc Two contains the entire original mix of the album which was thought to have been lost but surfaced during the tape research for this Deluxe Edition. Also included are a re-record of "Sister Morphine" only previously available on the Marianne Faithfull anthology, Perfect Strangers and four bonus tracks in the form of the 7" and 12" mixes of "Broken English" and "Why’d Ya Do It ?", which appear on CD for the very first time.

BBC Review

Marianne Faithfull didn’t begin as she meant to go on. Debuting as a promising singer-songwriter in 1964, she was soon a wife and mother. But she turned her back on her husband to get together with Mick Jagger, becoming his muse and also something of a drug addict as The Rolling Stones’ notoriety grew in the late-60s.

A split with Jagger in 1970 coincided with her drug habit spiralling out of control. Faithfull lost custody of her son, and began living on the streets, blurring away the days courtesy of a substantial heroin habit. She went as far as attempting suicide, but salvation would await her at the decade’s end.

Years of substance abuse, as well as severe laryngitis, permanently changed Faithfull’s voice. But Island Records founder Chris Blackwell heard potential in a set of demos, and put the newly gruff-toned singer to work on what would become Broken English, released in October 1979.

The album – which followed a first (not-so-successful) comeback in 1976, with the country styled Dreamin’ My Dreams – was recorded twice, the final version featuring new-wave-like keys by Steve Winwood. The original mix is included in this deluxe edition, filling much of the second disc. Also included is the Derek Jarman-directed film Broken English, finally given its commercial debut.

Broken English, the album, is almost autobiographical. Although its title track was inspired by a book about Baader-Meinhof, the other selections could have been penned by Faithfull herself: Guilt was Barry Reynolds’ song about addiction; What’s the Hurry? about a junkie’s endless need to score.

The set’s hit single, a cover of Dr Hook’s The Ballad of Lucy Jordan, was “my life, had it taken a different turn”. Her version of John Lennon’s Working Class Hero was delivered perfectly, raspily, through a gauze of disgust, even though she was nothing like the titular character.

Standout moment Why D’ya Do It is the sort of song nobody wants dedicated to them. Through a Sly and Robbie pastiche skank, Faithfull lets rip with venom rarely heard outside of the punk world in the late-70s, ranting Heathcoate Williams-penned words at a cheating lover. Its radio unfriendliness is exhilarating.

At the time of Broken English’s production, Faithfull had nothing left to lose. And, like so much art made in such circumstances, it’s an absolute tour de force of an album. She has described it as her masterpiece. She’s not wrong.

--Ian Wade

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Customer Reviews

4.7 out of 5 stars
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Most Helpful Customer Reviews

27 of 29 people found the following review helpful By Peter Uys HALL OF FAMETOP 1000 REVIEWER on 24 Oct. 2002
Format: Audio CD
Although the boundaries have shifted in the decades since this album’s release, Broken English has lost none of its trenchant appeal. And despite Courtney Love and many angry grrrl groups using explicit lyrics, Why d’Ya Do It? still sounds fresh, perhaps because it originally was written as a poem by Heathcote Williams. Her version of Lennon’s Working Class Hero sounds as sharp as ever, while the brooding title track is still relevant today. On the melodic side, Lucy Jordan has become quite a standard and could easily be considered a country weepie, while Witches Song remains eerie and anthemic. The sound is typical 80’s rock with tight musicianship supporting this classic monument to decadence and despair. This is probably her best selling album of all time for all the wrong reasons! The other two works from the same period, A Child’s Adventure and Dangerous Acquaintances, are equally excellent and will richly reward the listener. Nevertheless, Broken English stands tall as a masterpiece of broken taboos, subversive poetics and timeless songs.
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20 of 22 people found the following review helpful By A Customer on 8 Oct. 2000
Format: Audio CD
I first heard this album 15 years ago in my late teens and all I could hear was depression.Now in my mid thirties I realise that it is depressing in one sense but it puts into words and music all the feelings and emotions that we all feel at some point. This album is not to be listened to when you are feeling right in the gutter but when you are on the way back up. The Ballad of Lucy Jordan is not only haunting but beautifully orchestrated. Buy this album and try it and ignore the twee music that Marianne produced in the 60's because this is different gravy
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18 of 20 people found the following review helpful By c westwood on 18 May 2004
Format: Audio CD
This album astonished listeners when released, and still has the power to shock. The classic sound that ties it to label mates like Grace Jones is still fresh, particularly on the opener and title track, Broken English. The instrumentation is bare and pure, leaving space for Marianne's voice - much changed since her last major outing on record - to enchant and beguile. Her voice is like nothing you've heard, but is all the better for it - like late, late Billie Holliday, though you feel the pain you also feel the experience, and it takes the songs to a different and superior place. A classic slice of the 70s.
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4 of 5 people found the following review helpful By Peter Uys HALL OF FAMETOP 1000 REVIEWER on 17 Feb. 2011
Format: Audio CD
Although the boundaries of the permissible have shifted since this album's release, Broken English has lost none of its trenchant appeal. And despite many female artists now using explicit lyrics, Why d'Ya Do It? still sounds fresh, perhaps because it originally was written as a poem by Heathcote Williams.

Her version of Lennon's Working Class Hero sounds as sharp as ever, while the brooding title track is still relevant today. On the melodic side, Lucy Jordan has become quite a standard and could easily be considered a country weepy, while Witches Song remains eerie and anthemic. The sound is typical 80's rock with tight musicianship supporting this classic monument to decadence and despair.

Marianne discusses the recording of Broken English in her autobiography Faithfull; Brain Drain was co-written by the tragic singer-songwriter Tim Hardin who might have inspired the title of Bob Dylan's John Wesley Harding.

This is probably her best selling album of all time for all the wrong reasons! The other two works from the same period, Child's Adventure and Dangerous Acquaintances, are equally excellent and will richly reward the listener. Nevertheless, Broken English stands tall as a masterpiece of broken taboos, subversive poetics and timeless songs.
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8 of 10 people found the following review helpful By Stephanie De Pue TOP 1000 REVIEWER on 11 Aug. 2012
Format: Audio CD
"Broken English" was released in 1979, long after anyone expected to hear anything more from Marianne Faithfull, who had been categorized as a one hit wonder with the bland "As Tears Go By." And there it was, dark, dark. A Time magazine reviewer had called her later Strange Weather, upon its 1987 release, `music to slit your wrists to.' But the same might well have been said of BROKEN ENGLISH, except for the shock factor. Gone was Faithfull's bland chorister's voice, replaced by one that had been damaged by smoking various substances, drink, drugs, and riotous living. And it had become stronger; both albums were great critical favorites.

As an album, BROKEN is unique, to my knowledge, in one odd way: there are so few songs on it. But they are among Faithfull's most famous, and they constitute her signature album. She herself has called it, in her autobiography, her masterpiece. The songs are of loss, disillusionment, the backing tight, edgy, punky. Her voice is, of course, now like nobody else's, and neither is the sound of her backing group, consisting on this record of Diane Birch, Frankie Collins, Jim Cuomo, Guy Humphries, Joe Mavety, Maurice Pert, Barry Reynolds, Terry Stannard, Darryl Way, Steve Winwood, and Steve York. Shel Silverstein's "Ballad of Lucy Jordan," of a suburban housewife, who's had it with her starveling life, has never been done better. John Lennon's "Working Class Hero" could match its writer for bite. The title song, "Broken English," written by Faithfull and her frequent collaborator Barry Reynolds, with her backing musicians, Joe Mavety, Steve York and Terry Stannard, is as fresh today as the day it was written.
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