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Broken English (Deluxe Edition)
 
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Broken English (Deluxe Edition)

28 Jan 2013 | Format: MP3

£9.99 (VAT included if applicable)
Buy the CD album for £15.20 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
4:35
30
2
4:43
30
3
4:12
30
4
5:08
30
5
4:09
30
6
3:03
30
7
4:41
30
8
6:48
Disc 2
30
1
4:45
30
2
5:02
30
3
4:08
30
4
5:08
30
5
4:18
30
6
3:20
30
7
4:43
30
8
8:47
30
9
6:07
30
10
3:03
30
11
3:03
30
12
5:51
30
13
6:31


Product details

  • Original Release Date: 28 Jan 2013
  • Release Date: 28 Jan 2013
  • Number of Discs: 2
  • Label: UMC (Universal Music Catalogue)
  • Copyright: (C) 2013 Universal-Island Records Ltd.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:42:05
  • Genres:
  • ASIN: B00B0GRQAK
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (35 customer reviews)
  • Amazon Bestsellers Rank: 34,856 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.6 out of 5 stars
5 star
26
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5
3 star
4
2 star
0
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Most Helpful Customer Reviews

26 of 28 people found the following review helpful By Pieter Uys HALL OF FAMETOP 500 REVIEWER on 24 Oct 2002
Format: Audio CD
Although the boundaries have shifted in the decades since this album’s release, Broken English has lost none of its trenchant appeal. And despite Courtney Love and many angry grrrl groups using explicit lyrics, Why d’Ya Do It? still sounds fresh, perhaps because it originally was written as a poem by Heathcote Williams. Her version of Lennon’s Working Class Hero sounds as sharp as ever, while the brooding title track is still relevant today. On the melodic side, Lucy Jordan has become quite a standard and could easily be considered a country weepie, while Witches Song remains eerie and anthemic. The sound is typical 80’s rock with tight musicianship supporting this classic monument to decadence and despair. This is probably her best selling album of all time for all the wrong reasons! The other two works from the same period, A Child’s Adventure and Dangerous Acquaintances, are equally excellent and will richly reward the listener. Nevertheless, Broken English stands tall as a masterpiece of broken taboos, subversive poetics and timeless songs.
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18 of 20 people found the following review helpful By c westwood on 18 May 2004
Format: Audio CD
This album astonished listeners when released, and still has the power to shock. The classic sound that ties it to label mates like Grace Jones is still fresh, particularly on the opener and title track, Broken English. The instrumentation is bare and pure, leaving space for Marianne's voice - much changed since her last major outing on record - to enchant and beguile. Her voice is like nothing you've heard, but is all the better for it - like late, late Billie Holliday, though you feel the pain you also feel the experience, and it takes the songs to a different and superior place. A classic slice of the 70s.
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17 of 19 people found the following review helpful By A Customer on 8 Oct 2000
Format: Audio CD
I first heard this album 15 years ago in my late teens and all I could hear was depression.Now in my mid thirties I realise that it is depressing in one sense but it puts into words and music all the feelings and emotions that we all feel at some point. This album is not to be listened to when you are feeling right in the gutter but when you are on the way back up. The Ballad of Lucy Jordan is not only haunting but beautifully orchestrated. Buy this album and try it and ignore the twee music that Marianne produced in the 60's because this is different gravy
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3 of 3 people found the following review helpful By Pieter Uys HALL OF FAMETOP 500 REVIEWER on 17 Feb 2011
Format: Audio CD
Although the boundaries of the permissible have shifted since this album's release, Broken English has lost none of its trenchant appeal. And despite many female artists now using explicit lyrics, Why d'Ya Do It? still sounds fresh, perhaps because it originally was written as a poem by Heathcote Williams.

Her version of Lennon's Working Class Hero sounds as sharp as ever, while the brooding title track is still relevant today. On the melodic side, Lucy Jordan has become quite a standard and could easily be considered a country weepy, while Witches Song remains eerie and anthemic. The sound is typical 80's rock with tight musicianship supporting this classic monument to decadence and despair.

Marianne discusses the recording of Broken English in her autobiography Faithfull; Brain Drain was co-written by the tragic singer-songwriter Tim Hardin who might have inspired the title of Bob Dylan's John Wesley Harding.

This is probably her best selling album of all time for all the wrong reasons! The other two works from the same period, Child's Adventure and Dangerous Acquaintances, are equally excellent and will richly reward the listener. Nevertheless, Broken English stands tall as a masterpiece of broken taboos, subversive poetics and timeless songs.
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1 of 1 people found the following review helpful By Bookie TOP 500 REVIEWER on 6 April 2014
Format: MP3 Download Verified Purchase
I'm old enough to remember Marianne's hits first time round. Her high pitched and relatively naive renditions that took her into the charts. Then followed a descent into drug abuse and personal difficulty and she arise, reinvented.

For me, this album epitomises every strength she has. It's filled with heartbreaking soul, her voice, much changed, delivering the heartfelt emotion behind every word. She doesn't need soaring strings. This is spare and often beautiful prose, put to music. A couple of tracks bring tears to my eyes every time I hear them and this is an album I'll love forever.
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1 of 1 people found the following review helpful By Alan Weddell on 25 Feb 2013
Format: Audio CD Verified Purchase
Simply one of the best records that Marianne has ever made. A breakthrough record at the time of first release and still sounds fresh today.
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1 of 1 people found the following review helpful By Brain on 16 Feb 2013
Format: Audio CD Verified Purchase
I always thought the original had great songs with too much production.Typical 80's.Now the stripped back version on disc 2 has become my favourite.Nice extra's from singles too and Derek Jarman short that has not been seen very often.
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8 of 10 people found the following review helpful By Stephanie De Pue TOP 1000 REVIEWER on 11 Aug 2012
Format: Audio CD
"Broken English" was released in 1979, long after anyone expected to hear anything more from Marianne Faithfull, who had been categorized as a one hit wonder with the bland "As Tears Go By." And there it was, dark, dark. A Time magazine reviewer had called her later Strange Weather, upon its 1987 release, `music to slit your wrists to.' But the same might well have been said of BROKEN ENGLISH, except for the shock factor. Gone was Faithfull's bland chorister's voice, replaced by one that had been damaged by smoking various substances, drink, drugs, and riotous living. And it had become stronger; both albums were great critical favorites.

As an album, BROKEN is unique, to my knowledge, in one odd way: there are so few songs on it. But they are among Faithfull's most famous, and they constitute her signature album. She herself has called it, in her autobiography, her masterpiece. The songs are of loss, disillusionment, the backing tight, edgy, punky. Her voice is, of course, now like nobody else's, and neither is the sound of her backing group, consisting on this record of Diane Birch, Frankie Collins, Jim Cuomo, Guy Humphries, Joe Mavety, Maurice Pert, Barry Reynolds, Terry Stannard, Darryl Way, Steve Winwood, and Steve York. Shel Silverstein's "Ballad of Lucy Jordan," of a suburban housewife, who's had it with her starveling life, has never been done better. John Lennon's "Working Class Hero" could match its writer for bite. The title song, "Broken English," written by Faithfull and her frequent collaborator Barry Reynolds, with her backing musicians, Joe Mavety, Steve York and Terry Stannard, is as fresh today as the day it was written.
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