or
Sign in to turn on 1-Click ordering.
More Buying Choices
skyvo-direct Add to Cart
£12.33
Have one to sell? Sell yours here
Sorry, this item is not available in
Image not available for
Colour:
Image not available

 

Britten: The Turn of the Screw [CD]

Benjamin Britten , Steuart Bedford , Aldeburgh Festival Ensemble , Eileen Hulse , Felicity Lott , et al. Audio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)
Price: £11.75 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Only 1 left in stock (more on the way).
Dispatched from and sold by Amazon. Gift-wrap available.
Want delivery by Tuesday, 28 May? Choose Express delivery at checkout. See Details

Frequently Bought Together

Britten: The Turn of the Screw + Britten: Albert Herring (Bedford, Northern Sinfonia, Gillett, Palmer) + Britten: Peter Grimes
Price For All Three: £26.08

Buy the selected items together

Customers Who Bought This Item Also Bought


Product details

  • Orchestra: Aldeburgh Festival Ensemble
  • Conductor: Steuart Bedford
  • Composer: Benjamin Britten
  • Audio CD (2 Jun 2003)
  • SPARS Code: DDD
  • Number of Discs: 2
  • Format: CD
  • Label: Naxos
  • ASIN: B00009NJ1G
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 33,570 in Music (See Top 100 in Music)

1. The Prologue
2. Theme: Scene 1 - The Journey
3. Variation 1: Scene 2 - The Welcome
4. Variation 2: Scene 3 - The Letter
5. Variation 3: Scene 4 - The Tower
6. Variation 4: Scene 5 - The Window
7. Variation 5: Scene 6 - The Lesson
8. Variation 6: Scene 7 - The Lake
9. Variation 7: Scene 8 - At Night
10. Variation 8: Scene 1 - Colloquy and Soliloquy
11. Variation 9: Scene 2 - The Bells
12. Variation 10: Scene 3 - Miss Jessel
13. Variation 11: Scene 4 - The Bedroom
14. Variation 12: Scene 5 - Quint
15. Variation 13: Scene 6 - The Piano
16. Variation 14: Scene 7 - Flora
17. Variation 15: Scene 8 - Miles

Product Description

2CD Composer: Britten,Benjamin

Customer Reviews

4 star
0
3 star
0
2 star
0
1 star
0
5.0 out of 5 stars
5.0 out of 5 stars
Most Helpful Customer Reviews
21 of 21 people found the following review helpful
5.0 out of 5 stars Better Than the Composer's Own Recording! 9 April 2005
By J Scott Morrison HALL OF FAME TOP 100 REVIEWER
Format:Audio CD
I didn't think I'd ever say this about a Britten opera recording, but we have here a modern performance that surpasses the one Britten conducted and recorded back in the 1950s. In every respect this is superior to the earlier album, with one exception: no one can surpass Peter Pears as the evil Peter Quint. Of course the part was written for him. This is not to say Philip Langridge doesn't do a wonderful job in his own portrayal; I guess I've been so imprinted on the sound of Pears's voice that I had some trouble making the switch. But the rest of the cast is simply superior to the earlier one. And this is particularly true in the case of the little boy, Miles, sung here by Sam Pay; he is sensational and easily outclasses David Hemmings (a not-very-good boy soprano who then grew up to become an actor in movies; remember him in 'Blowup' and as Mordred in 'Camelot'?). Pay's final 'Peter Quint, you devil!' is heart-breaking. Also superior are Felicity Lott as The Governess, Eileen Hulse as Flora, Phyllis Cannan as Mrs Grose, and Nadine Secunde as Miss Jessel. Further, the modern stereo sound replaces a rather harsh monaural recorded sound from the 1950s. This is particularly welcome as regards the orchestral sound; in the original recording the chamber orchestra sounded a bit thin and distant. Here the Aldeburgh Festival Ensemble is recorded in clear and lifelike sound. As well as I thought I knew the score, I heard new things in the orchestra that I hadn't known were there.

Steuart Bedford, of course, is our reigning Britten specialist. He was a long-time colleague of Britten's, has conducted all of his operas over the years, and was entrusted by the ailing Britten with the première of 'Death in Venice.'

This is actually a reissue by Naxos of a 2CD set first published in 1994 by the now-defunct Collins Classics. I'm sorry to say I missed it when it came out but thank goodness Naxos has seen fit to put it out again, as they did Collins's excellent 'Albert Herring' a year or so ago. It, like the recently reissued 'St. Nicholas' cantata, was also conducted by Bedford. One can hope that Bedford's other Collins/Britten CDs, including 'Gloriana,' orchestral music and several song recitals, will be reissued as well.

Scott Morrison

Was this review helpful to you?
12 of 12 people found the following review helpful
5.0 out of 5 stars Unreal And Unnerving 22 Mar 2004
By NNNNN
Format:Audio CD
Britten's "The Turn Of The Screw" is one of the composer's most sparse and challenging works. The music at times has a steely acidic
edge far from the lyricism of say "Billy Budd" . It is as if the composer felt that this tale of a haunting needed a music equally unreal or
unnerving. Scoring for a chamber orchestra he acheived that. It needs a firm hand to hold its diverse elements together and it has that here
with Steuart Bedford. Bedford worked with Britten in his latter years and led the premiere on stage and recording of "A Death In Venice"
when the composer became too ill. He also later made an orchestral suite from the opera. With a first class cast and the Alderburgh
Festival Ensemble (which Britten founded) we have a very fine performance of this work at a budget price. It was also recorded at the
festival's chief venue in The Concert Hall, Snape Maltings, Aldeburgh. If cast and conductor seem familiar it is because this 1994
recording originally appeared on the full priced Collins label. Naxos appears to have taken over the label and more of Bedford's fine
Beitten recordings are to follow. Nice to see that they have started off with one of the best.
Comment | 
Was this review helpful to you?
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.3 out of 5 stars  3 reviews
13 of 13 people found the following review helpful
5.0 out of 5 stars excellent and terrific opera 7 July 2004
By Sungu Okan - Published on Amazon.com
Format:Audio CD
This is one of the greatest operas of Britten, based on a novella, an amazing ghost story of Henry James. The librettos was written by the composer's close friend Myfanwy Piper, who the librettist of "Death in Venice". The libretto is also very impressive, as like the main story.

This recording is really excellent. Actually, this was released on Collins Classics in 1994. The cast is very succesful. Felicity Lott's Governess, Sam Pay's (treble) Miles and of course Philip Langridge's Quint are excellent. And even so, Steuart Bedford is really a champion on performance of Britten's any works.

This recording is only comparable with Britten's own mono recording made in 1950's. This was made with Peter Pears as Quint role. But this Bedford recording, may be better than Britten's recording, because the composer's record is from 50s and mono, but Bedford's is an excellent stereo record made in 1990's.

This opera scored for a small ensemble, as you know. It calls only six singers and a 13-musicians ensemble. And this opera is a really excellent example of the composer's creating how very impressive and spine-chilling atmosphere with a small ensemble.

This 2-CD set also includes full libretto and detailed synopsis. At this price this is a must have for any Britten and opera admirers.

Highly recommended.

8 of 9 people found the following review helpful
5.0 out of 5 stars Better Than the Composer's Own Recording! 1 Jun 2004
By J Scott Morrison - Published on Amazon.com
Format:Audio CD
I didn't think I'd ever say this about a Britten opera recording, but we have here a modern performance that surpasses the one Britten conducted and recorded back in the 1950s. In every respect this is superior to the earlier album, with one exception: no one can surpass Peter Pears as the evil Peter Quint. Of course the part was written for him. This is not to say Philip Langridge doesn't do a wonderful job in his own portrayal; I guess I've been so imprinted on the sound of Pears's voice that I had some trouble making the switch. But the rest of the cast is simply superior to the earlier one. And this is particularly true in the case of the little boy, Miles, sung here by Sam Pay; he is sensational and easily outclasses David Hemmings (a not-very-good boy soprano who then grew up to become an actor in movies; remember him in 'Blowup' and as Mordred in 'Camelot'?). Pay's final 'Peter Quint, you devil!' is heart-breaking. Also superior are Felicity Lott as The Governess, Eileen Hulse as Flora, Phyllis Cannan as Mrs Grose, and Nadine Secunde as Miss Jessel. Further, the modern stereo sound replaces a rather harsh monaural recorded sound from the 1950s. This is particularly welcome as regards the orchestral sound; in the original recording the chamber orchestra sounded a bit thin and distant. Here the Aldeburgh Festival Ensemble is recorded in clear and lifelike sound. As well as I thought I knew the score, I heard new things in the orchestra that I hadn't known were there.

Steuart Bedford, of course, is our reigning Britten specialist. He was a long-time colleague of Britten's, has conducted all of his operas over the years, and was entrusted by the ailing Britten with the première of 'Death in Venice.'

This is actually a reissue by Naxos of a 2CD set first published in 1994 by the now-defunct Collins Classics. I'm sorry to say I missed it when it came out but thank goodness Naxos has seen fit to put it out again, as they did Collins's excellent 'Albert Herring' a year or so ago. It, like the recently reissued 'St. Nicholas' cantata, was also conducted by Bedford. One can hope that Bedford's other Collins/Britten CDs, including 'Gloriana,' orchestral music and several song recitals, will be reissued as well.

Scott Morrison

3 of 11 people found the following review helpful
3.0 out of 5 stars A must for hard core britten fans 2 Aug 2005
By Robert Baksa - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
The concept of basing each scene of this chamber opera on a set of variations is a fascinating one. But its basically an intellectual excercise. This is one of Britten's most sterile scores. He wrote it quickly and it shows. The piece, based on a famous tale, works in the theater so it has held the stage. The cast of this recording is a group of top notch professionals so it is satisfying on that level. Just don't expect to be swept up in it like one can be with "Peter Grimes."
Were these reviews helpful?   Let us know
Search Customer Reviews
Only search this product's reviews

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 


Active discussions in related forums
Search Customer Discussions
Search all Amazon discussions
   
Related forums


What Other Items Do Customers Buy After Viewing This Item?


Listmania!


Look for similar items by category


Feedback


Amazon.co.uk Privacy Statement Amazon.co.uk Delivery Information Amazon.co.uk Returns & Exchanges