This is the only truly comprehensive directory of 20th century British Studio Potters' marks Each entry gives biographical data, information on the type of ceramics produced, location of pottery and dates as to when the mark has changed, along with examples of different marks used. This second edition has been fully revised and updated and is a must for all potters, collectors, museums, auction houses, and shops, as well as anyone generally interested in British pottery. "The only such catalogue you'll ever need on your shelf." Antiques Magazine
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"The only such catalogue you'll ever need on your shelf, and, at a rate of one every six years, works out a remarkably cheap annual rate!" Antiques Magazine (28 Jan 2006) "Invaluable, up-to-date information on established and new British studio potters. It contains a wealth of detail with clearly laid out text." Reference Reviews 20 (1) 2006 'It is the only truly comprehensive directory of 20th century British Studio Potters' marks... A must for all potters, collectors, museums, auction houses, and shops, as well as anyone generally interested in British pottery.' Craftsman Magazine (July 2005)
About the Author
Eric Yates-Owen is a retired industrial design engineer and consultant. Robert Fournier is a professional potter with over 40 years experience and the author of 10 previous books on ceramics.
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Most Helpful Customer Reviews
19 of 19 people found the following review helpful
By CCUKBOOKS
Format:Hardcover
No matter what item of pottery or porcelain you are trying to research, this should be one of two books you reach for first. My own copy has long since lost its shiny new look and is now a battered, well used and reliable source of information. Along with Encyclopaedia of British Pottery and Porcelain Marks by Geoffrey A. Godden, you really should not need anything else to find out all you need on backstamps and markings. Obviously other reference books come into their own on antiques and should also be purchased but for a first point of reference, these two books should be your first purchases and both will save you making very costly mistakes no matter how experienced you are.
77 of 80 people found the following review helpful
By A Customer
Format:Hardcover
After years of searching over hill and 'yon for relevant information about the identities of potters and their pottery, this book is now my constant work of reference and an excellent starting point for further enquiries. Not just including all the "usual suspects" (Leach(s), Hamada, Rie, Coper, et al) but the younger up and coming potters. The layout is intuitive and not only deals with the marks alphabetically but also divides them into symbol types (Creatures,Monograms, Signs) thus providing a more than comprehensive source. The compilers have done their best to provide as accurate information as possible for over 4750 Potters most of whom are still actually living! Anyone buying this book will find that the price is more than worth it and the covers will need reinforcing because of the extensive use it will get, a worthy edition to ANY reference library.
10 of 10 people found the following review helpful
Format:Hardcover
This book is an absolute must for all those interested in British Studio Pottery.
Whether buying from galleries, dealers, studios, auction houses or chance findings at fairs or boot sales, this book clearly and easily identifies the makers of those sometimes enigmatic scratched, printed, painted or impressed marks found on most studio pottery pieces.
Whilst essentially a book of reference,the sections are 'readable'with their fascinating detail of studio locations and often re-locations chronologically presented.
Descriptions of the type of pottery produced by the studio is indicated and is a further aid to identification.
The final section of the book, presenting in facsimile style the 'marks' themselves, is a highly absorbing, visual read showing the amazing range of designs employed by potters in 'signing' their work.
There is no indication of the importance of the potters or studio work and so 'values' cannot be established through this book. That is rather dependent on the familiarity one has, or not of a 'name' within the Studio Pottery world.
A very essential reference book to own.
Whether buying from galleries, dealers, studios, auction houses or chance findings at fairs or boot sales, this book clearly and easily identifies the makers of those sometimes enigmatic scratched, printed, painted or impressed marks found on most studio pottery pieces.
Whilst essentially a book of reference,the sections are 'readable'with their fascinating detail of studio locations and often re-locations chronologically presented.
Descriptions of the type of pottery produced by the studio is indicated and is a further aid to identification.
The final section of the book, presenting in facsimile style the 'marks' themselves, is a highly absorbing, visual read showing the amazing range of designs employed by potters in 'signing' their work.
There is no indication of the importance of the potters or studio work and so 'values' cannot be established through this book. That is rather dependent on the familiarity one has, or not of a 'name' within the Studio Pottery world.
A very essential reference book to own.
Most Recent Customer Reviews
5.0 out of 5 stars
EXCELLENT REFERENCE
A brilliant book recommended to me by a specialist in studio pottery. He says it is is the best book ever written on the subject. Read more
Published 2 months ago by Linda Collins
4.0 out of 5 stars
The pottery freak's handbook..
Good book, .. the indexing could be a little better, but in general the book is quoite usable if browsed.
Published 2 months ago by Mr. James F. Mcdonald
5.0 out of 5 stars
Useful Supplement to Goddens Encyclopaedia
The potters represented here mostly had little significance since the last update of Goddens so would not have required an entry even if it was part of Goddens brief which was... Read more
Published 11 months ago by heretic666
4.0 out of 5 stars
A couple of drawbacks
My first, and most serious complaint about this book is the price. Collecting studio pottery is the ideal hobby for the impoverished as lovely stuff still turns up at for a few... Read more
Published 12 months ago by Peasant
1.0 out of 5 stars
book review
awful book as only deals so it seems with 20 th century potters which is not what I wanted.I sent it back and got a refund. That was the only good thing about it.
Published on 22 Sep 2010 by Anne Atherton
5.0 out of 5 stars
An Indispensable work
This reference work is absolutely invaluable and a benchmark. It provides a huge source of information concisely, clearly and effectively. Read more
Published on 20 Oct 2009 by Nick's Notes
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