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The British Folk Revival 1944-2002 (Ashgate Popular and Folk Music Series)
 
 

The British Folk Revival 1944-2002 (Ashgate Popular and Folk Music Series) (Hardcover)

by Michael Brocken (Author)
3.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Hardcover: 338 pages
  • Publisher: Ashgate (19 Dec 2003)
  • Language English
  • ISBN-10: 0754632814
  • ISBN-13: 978-0754632818
  • Product Dimensions: 23.6 x 15.7 x 2.3 cm
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon.co.uk Sales Rank: 2,161,971 in Books (See Bestsellers in Books)
  • See Complete Table of Contents

Product Description

Product Description

This work considers the post-war folk revival in Britain from a popular music studies perspective. Michael Brocken provides a historical narrative of the folk revival from the 1940s up until the 1990s, beginning with the emergence of the revival from within and around the left-wing movements of the 1940s and 1950s. Key figures and organizations such as the Workers' Music Association, the BBC, the English Folk Dance and Song Society, A.L. Lloyd and Ewan MacColl are examined closely. By looking at the work of British Communist Party splinter groups it is possible to see the refraction of folk music as a political tool. Brocken openly challenges folk historicity and internal narrative by discussing the convergence of folk and pop during the 1950s and 1960s. The significant development of the folk/rock hybrid is considered alongside "class", "Americana", radio and the strength of pop culture. Brocken shows how the dichotomy of artistic (natural) versus industry (mass-produced) music since the 1970s has led to a fragmentation and constriction of the folk revival. The study concludes with a look at the upsurge of the folk music industry, the growth of festivals and the implications of the Internet for the British folk revival. Brocken suggests the way forward should involve an acknowledgement that folk music is not superior to but is, in fact, a form of popular music.

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3.0 out of 5 stars Studious but not compelling, 22 Nov 2009
By Dr Russell Dean (Canberra, Australian Capital Territory) - See all my reviews
Some things to like about this book, e.g. it provides useful background to the post second world war folk scene and the folk revival, especially the politics, but it is also, IMO, often and ironically too polemical and spiteful - the ad hominem attacks on Ewan MacColl could almost recall the worst excesses of Senator Joe McCarthy - to the point where I didn't want to finish it. This is a book that often lacks the charm, wit and cogency of the music and people that it describes.
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