Holst's Choral Fantasia is one of his late, austere works scored for soprano soloist (performed here by the mezzo Janet Baker in stirringly oracular form), chorus, organ, timpani, brass and strings. It is, in effect, a requiem for artists, and became a requiem for the poet whose words Holst set, Robert Bridges. The music is uncompromising and direct at first, with only organ and brass in evidence for the first six minutes or so of the work; warmth finally appears with the chorus singing 'Rejoice ye dead...that yet on earth your fame is bright, and that your names remembered day and night live on the lips of those who love you well'. Strings add further to this warmth, reaching a climax with the words 'Now ye are starry names', leading to a chilling denoument with the return of the opening music. It is as if we are here confronted with the bleakness of death, and the rest of the work seems to be addressing how to find reconciliation with that implacable fate; it ends poignantly with a final soprano solo drifting into silence as if in farewell.
This, and the simple yet moving setting of Psalm 86, were the original coupling to the classic Finzi recording already eloquently written about by 'Olfreda'. These alone would make this disc an essential purchase for fans of these composers, but EMI has added some sweet icing in the form of Vaughan Williams's Five Mystical Songs, beautifully performed by John Shirley-Quirk with the Choir of King's College Cambridge. A real treasure of a disc.