I am a lazy high school kid who reads as little as possible, and I read this play three times- taking away something new everytime. I must admit that I first saw it as the movie with Jonathon Silverman, but I had to read the script to get the full effect. I try to watch it with my friends, but none of them seem to have the attention span to watch something that didn't cost billions of dollars for a sinking ship (not to belittle "Titanic's" success, but it appeals to the people who are seeking easy entertainment that jumps up and bites you in the a$$). The way I started researching Neil Simon was through a school assignment- I won't lie. My research paper had to be on an American author that no one else was doing. I couldn't think of anyone to do after all my first choices were taken, so I started asking my teacher if I could do a songwriter. That would be too easy. I was planning on listening to John Mellencamp or Bruce Springsteen, who wrote my favorite song, "Blinded By the Light". Needless to say, my teacher vetoed these requests, so I asked her for some suggestions. She rattled off about a million names that I had never heard of. Then she said "Neil Simon" and it sounded familiar. I inquired more about him and she told me he was a playwrite. Later that night, I asked my dad if he had heard of this guy. He told me that he had, and that I had, too. He reminded me that we had "Brighton Beach Memoirs" on tape, and I immediately decided that I would do my paper on him. Many peoplewonder why a "gentile, athletic, boy from the midwest" would want to research him. Some of these same people dismiss the scene in which Eugene and Stanley discuss masturbation as a cheap laugh gauranteed by uncomfortability. Like the average kid I reply with a shrug of my shoulders, but it's obvious to me that Simon appeals to everyone who appreciates real life and the humor in it. As a teenage boy, I can identify with Eugene Morris Jerome who if he "were given the choice between a tryout with the New York Yankees, and actually seeing Nora's bare breasts for two and a half seconds would have some serious thinking to do." The play is a sharp realization by Eugene that the world doesn't rotate around puberty as he records how his family deals with not only "Stanley's principles, Nora's career, the loss of . . . (a) business, how to get Aunt Blanche married off and Laurie's fluttering heart, but at any minute there could be a knock on the door with thirty-seven relatives from Poland showing up looking for a place to live."