I don't know about "no greater tale", but this book is a fascinating tale about the science of colour and how colours have been used in art. Its strength is when it talks about the technology and development of colours for paints. Hence the sections on naturally occurring dyes and the development of man-made colours are the best. The final chapters are less interesting, reading at times like lists of art movements. I would have liked to have seen many more colour illustrations, but I suppose the cost would have been prohibitive. I wondered about the organisation, too: the book seemed to jump about a bit, and I found myself referring to the index a great deal to remind myself, say, exactly what Prussian blue was (I think this one was mentioned several times before it was first properly explained). But these are quibbles.