Gregory Dawson, a middle-aged, unmarried film script writer, visits a remote hotel on the Cornish coast in order to finish his latest commission. There, the playing, by the hotel's resident musicians, of a single short movement from a Schubert Piano Trio strips away layer after layer of remembrance of Dawson's youth in the West Riding city of Bruddersford. In particular he remembers his friendship with the charming and lively Alington family. He had quickly fallen under their spell but the magic had been savagely destroyed by subsequent events. Thus does Priestley develop in this, one of his finest novels (first published in 1946), the theme of disillusionment, the shattering of euphoria,'the bright day that brings forth the adder'. In narrative terms the novel alternates between the experiences of the young Dawson and his current, increasingly fraught relationship with the world of commercial film-making. The ending reflects Priestley's hopes for post-World War II Britain : Dawson (a character with arguably autobiographical overtones) decides to throw in his lot with a group of mostly young film-makers dedicated to making 'real pictures'. His meeting, through this group, with a woman whom he knew as a child in Bruddersford holds out the promise of personal as well as professional fulfilment. The contemporary narrative is less interesting than the Bruddersford scenes but the novel as a whole finds Priestley at his best. The appeal of this edition of the book is enhanced by much additional material, including many interesting photographs, a 'Literary Tour' of 'Bright Day' and testimonies from a number of eminent figures in the world of the arts and politics.