We’ve come a long way from when the first book with the pretty Blacksheep cover began to arouse interest in this promising new retelling of the Valmiki Ramayana, arguably the greatest epic poem every written, save, perhaps, the Mahabharata. ‘Bridge of Rama’ is the fifth and penultimate book in the Ramayana series. It corresponds roughly to the Sunderkaand in the original epic, which is perhaps why the third kaand (section) of this novel is titled ‘Beauty’.
Rama and his army of vanars must cross the sea to Lanka to rescue Sita, who is languishing in Lanka, being kidnapped by Ravana at the instigation of his vengeful cousin Shupanaka. The only way to get across is to build a bridge of rocks across the violent sea. Meanwhile in Lanka, Sita has been falsely accused of murder and sentenced to death. Time is short, and she must be rescued before it is too late. But when Hanuman, Rama’s loyal vanar follower discovers his own true identity, there is a ray of hope. Still, he can’t hope to cross the sea to Lanka, before Sita’s appointed hour of execution, can he? Well, maybe he can.
Banker’s writing improves with every book, and this one is certainly better than the last one- in the sense that gold is better than silver. His style, however, remains the same. I love the way his flowing language paints a picture of every scene for you. He delves into the thoughts of his characters, until you begin to feel their emotions too. Banker has always paid attention to character development, but this art is a specialty of this book. Hanuman, predictably, is an important protagonist in this book, more so even than Rama, but Mandodhari, the wife of Ravana, also plays an important role in this book. Read it to find out what her role is, exactly.
There are certain aspects of Banker’s writing that I’ve grown to love after having followed the series for about three years. Like how he gets into every character’s shoes. The narration itself changes to suit the view and mood of the character in question- and so it is angry, delighted, disgusted, and pleased. There’s other stuff too. Like his use of the phrase ‘And yet’. Like how he breathes life into inanimate objects. My only disappointment was the burning of Lanka- it is covered too quickly, in about half a chapter, unlike the other great events in the series. Sure, there is a long and delightful account of how Hanuman wreaks havoc inside Ravana’s tower, a real treat. But the burning was something I was really looking forward to reading in Banker’s unique style and I had expected it to be at least half as long as the account of the abduction of Sita in the previous book. But this, you see, is the problem with retellings, no matter how good they are. You expect something, and if the author fails to fulfil it, you are disappointed. But the author can’t fulfil your expectations, because what he writes springs out of his own mind. So I can’t really blame anything on AKB, I can only resolve to read the next book as if I had no clue about the real Ramayana. But, from what I hear, ‘King of Ayodhya’ is going to be full of surprises anyway, so if I read it with an open mind, they’ll all be pleasant ones.
So, in the final verdict, I’ll rate this book at 4.5/5, although I can’t say why I’m knocking off that half point. Maybe I’m reserving the 5/5 for book six. Or maybe I’m just mean, like some teachers I know. I can’t say, because I don’t know myself. I’ll get back to you on that. :)