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Brideshead Revisited CD-ROM – 2010

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Product details

  • CD-ROM
  • ISBN-10: 1408400944
  • ISBN-13: 978-1408400944
  • ASIN: B005HBR0T6
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (149 customer reviews)
  • Amazon Bestsellers Rank: 833,989 in Books (See Top 100 in Books)

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Customer Reviews

4.5 out of 5 stars

Most Helpful Customer Reviews

75 of 78 people found the following review helpful By Mary Whipple HALL OF FAMETOP 100 REVIEWER on 14 Jan. 2007
Format: Paperback
Published in 1945, this novel, which Waugh himself sometimes referred to as his "magnum opus," was originally entitled "Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder." The subtitle is important, as it casts light on the themes--the sacred grace and love from God, especially as interpreted by the Catholic church, vs. the secular or profane love as seen in sex and romantic relationships. The tension between these two views of love--and the concept of "sin"--underlie all the action which takes place during the twenty years of the novel and its flashbacks.

When the novel opens at the end of World War II, Capt. Charles Ryder and his troops, looking for a billet, have just arrived at Brideshead, the now-dilapidated family castle belonging to Lord Marchmain, a place where Charles Ryder stayed for an extended period just after World War I, the home of his best friend from Oxford, Lord Sebastian Flyte. The story of his relationship with Sebastian, a man who has rejected the Catholicism imposed on him by his devout mother, occupies the first part of the book. Sebastian, an odd person who carries his teddy bear Aloysius everywhere he goes, tries to escape his upbringing and religious obligations through alcohol. Charles feels responsible for Sebastian's welfare, and though there is no mention of any homosexual relationship, Charles does say that it is this relationship which first teaches him about the depths of love.

The second part begins when Charles separates from the Flytes and his own family and goes to Paris to study painting. An architectural painter, Charles marries and has a family over the next years.
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29 of 30 people found the following review helpful By G.K.C. on 24 April 2007
Format: Hardcover
First, let me get the myths out of the way: Charles and Sebastian have a very close friendship, and much has been made over whether or not they were lovers. I think not, but that is quite ancillary to the point of this book.

According to Waugh himself, the book was intended to show the operation of Divine Grace - 'that unmerited and unilateral action by which the Lord draws souls to himself.' This book is no second-rate miraculous conversion experience story - it is not a badly redone version of the Road to Damascus. But this is a religious (not a merely spiritual) book, and to take it as something else is to refer to a different text.

Other reviewers have stressed (too much, perhaps) that this is a social elegy, which it is. Waugh wrote B.R. during WWII, a time of great privation, and he describes in mouth-watering detail the luxuries which were denied him in combat. (He did see military action.) This book mourns the passing of an age of "Great Houses," for lack of a better term - an age of remarkable splendour, and of Roman beauty. Say what you like about its merits vis-a-vis the world which replaced it, after the war - no one can deny that it was beautiful.

That, in turn, leads to perhaps the strongest affirmation which can be made of this book. It is one of the most singularly well-written novels to grace the English language. To call it prose is to do Mr Waugh a disservice.
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106 of 111 people found the following review helpful By Richard Hart on 3 Jun. 2004
Format: Paperback
Forgive the flippancy of the title, as this is, without a doubt the greatest novel I have ever read. The central theme is that of stringent religious values and breaking away from, or returning to them. I am an extremely committed atheist and Waugh was a fervent Roman Catholic. This surely proves Waughs sublime vision, insight and, above all, his splendidly non-preachy way of writing. Beyond that, it is one of the greatest love stories ever written. We may not mention Ryder and Flyte in the same breath as Rmeo and Juliet, Tristan and Isolde, or Dido and Aeneas, but as a study in humanity (in my humble opinion) they exceed them all. The sheer beauty of Waugh's prose which is, at times, scarcely believable (see 'A blow, expected, repeated, falling on a bruise') is coupled with the outright hilarity of many passages (see the Belgian who feels as if it is his duty to oppose the lower classes everywhere). Amazon also sells (at a rather decent price) the 1981 BBC adaptation of the novel, starring Jeremy Irons and Anthony Andrews, which is unusual in that it is faithful to the letter and the spirit of the novel, and is really rather splendid. The novel, however, remains a towering acheivement, a heart-rending tale of loss and rejection, as well as acceptance and redemption. The finest novel of the Twentieth Century. You owe it to yourself to read it.
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27 of 29 people found the following review helpful By Omar Sabbagh VINE VOICE on 15 July 2004
Format: Paperback
This is Waugh at his most lyrical and sentimental. At times reminiscent of another post war writer, Lawrence Durrell, especially in the final love scenes. Charles Ryder, the narrator, stresses that it is memory and the past that is the novel's central theme. And there is a definite sense, from the first paragraph onwards, that the passage of time and the effects of change and growth in the human personality is what is being dealt with throughout. And yet, ultimately it is the catholic aspect of the novel that resonates loudest. A close reader of the novel will note that happiness, equivalent to being at peace, is the prime issue of this novel. All the characters, in this most subjective and romantic of Waugh's novels, are struggling with themselves to achieve peace of mind, including the narrator himself. There is the dissipated Sebastian, a holy character, beset by guilt. His sister Julia, living in sin, yet still drawn back finally by that thread of religion sown into her in her childhood. The narrator himself, whose intense relationship with the Flyte family eventually lead him to the Faith. And of course the relapsed catholic, Lord Marchmain, who returns to his faith very movingly on his deathbed. For all the sensual richness and lushness of the surroundings, this is, curiously, a pious novel. A timeless classic, accessible and stylish at the same time, this is one of my favourite novels of the twentieth century. A must read for those interested in the last days of the English aristocracy, and of course for those interested in a tale of passion and essential humanity. A landmark in the literature of the twentieth century! Read it!
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