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34 of 36 people found the following review helpful:
5.0 out of 5 stars
"We possess nothing certainly except the past.", 14 Jan 2007
Published in 1945, this novel, which Waugh himself sometimes referred to as his "magnum opus," was originally entitled "Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder." The subtitle is important, as it casts light on the themes--the sacred grace and love from God, especially as interpreted by the Catholic church, vs. the secular or profane love as seen in sex and romantic relationships. The tension between these two views of love--and the concept of "sin"--underlie all the action which takes place during the twenty years of the novel and its flashbacks.
When the novel opens at the end of World War II, Capt. Charles Ryder and his troops, looking for a billet, have just arrived at Brideshead, the now-dilapidated family castle belonging to Lord Marchmain, a place where Charles Ryder stayed for an extended period just after World War I, the home of his best friend from Oxford, Lord Sebastian Flyte. The story of his relationship with Sebastian, a man who has rejected the Catholicism imposed on him by his devout mother, occupies the first part of the book. Sebastian, an odd person who carries his teddy bear Aloysius everywhere he goes, tries to escape his upbringing and religious obligations through alcohol. Charles feels responsible for Sebastian's welfare, and though there is no mention of any homosexual relationship, Charles does say that it is this relationship which first teaches him about the depths of love.
The second part begins when Charles separates from the Flytes and his own family and goes to Paris to study painting. An architectural painter, Charles marries and has a family over the next years. A chance meeting on shipboard with Julia, Sebastian's married sister, brings him back into the circle of the Flyte family with all their religious challenges. Three of the four Flyte children have tried to escape their religious backgrounds, and this part of the novel traces the extent to which they have or have not succeeded in finding peace in the secular world. "No one is ever holy without suffering," he believes.
Dealing with religious and secular love, Heaven and Hell, the concepts of sin and judgment, and the guilt and punishments one imposes on oneself, the novel also illustrates the changes in British society after World War II. The role of the aristocracy is less important, the middle class is rising, and in the aftermath of war, all are searching for values. A full novel with characters who actively search for philosophical or religious meaning while they also search for romantic love, Brideshead Revisited is complex and thoughtfully constructed, an intellectual novel filled with personal and family tragedies--and, some would say, their triumphs. Mary Whipple
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20 of 21 people found the following review helpful:
5.0 out of 5 stars
Waugh at his most lyrical, 15 Jul 2004
This is Waugh at his most lyrical and sentimental. At times reminiscent of another post war writer, Lawrence Durrell, especially in the final love scenes. Charles Ryder, the narrator, stresses that it is memory and the past that is the novel's central theme. And there is a definite sense, from the first paragraph onwards, that the passage of time and the effects of change and growth in the human personality is what is being dealt with throughout. And yet, ultimately it is the catholic aspect of the novel that resonates loudest. A close reader of the novel will note that happiness, equivalent to being at peace, is the prime issue of this novel. All the characters, in this most subjective and romantic of Waugh's novels, are struggling with themselves to achieve peace of mind, including the narrator himself. There is the dissipated Sebastian, a holy character, beset by guilt. His sister Julia, living in sin, yet still drawn back finally by that thread of religion sown into her in her childhood. The narrator himself, whose intense relationship with the Flyte family eventually lead him to the Faith. And of course the relapsed catholic, Lord Marchmain, who returns to his faith very movingly on his deathbed. For all the sensual richness and lushness of the surroundings, this is, curiously, a pious novel. A timeless classic, accessible and stylish at the same time, this is one of my favourite novels of the twentieth century. A must read for those interested in the last days of the English aristocracy, and of course for those interested in a tale of passion and essential humanity. A landmark in the literature of the twentieth century! Read it!
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Utterly enchanting, 22 May 2007
If you haven't read it yet then i really envy you. I have read this book over and over again and guarantee you are in for a treat.
The writing is beautifully crafted, as in most Waugh books, but here you have the bonus of a compelling story. As usual the author's style will carry you dreamily along in an enchanted haze, before bringing you up short with some barbed comment to wake you from your reverie. The fist in the velvet glove.
If you saw the TV series you know what to expect..i just hope the forthcoming film does it justice...but neither can ever hope to match the scenes which are painted in your imagination with such vivacity.
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