Revisiting the locale and characters that made his first novel, FAT WHITE VAMPIRE BLUES so memorable, Andrew Fox conjures an even more intriguing adventure for his corpulent bloodsucker, Jules Duchon. This time out, Jules is bullied by the vampire elders of New Orleans (known as the "High Krewe of Vlad Tepes") into investigating a series of attacks against their clan, serial dismemberings that have left the unfortunate immortals comatose, sans various appendages. To expose this new evil, Jules must team with long time allies (Doodlebug Richelieu, his transsexual protégé), bitter enemies (Preston, a member of his nemesis' Malice X's posse), and new friends (rat expert and transplanted Californian, Daphne Petruko). Complicating matters, Jules continues to seek a way to resurrect Maureen, his murdered vampiric paramour, even as he pursues his unorthodox investigation.
Fox trods familiar territory in BRIDE; indeed, much of what powered the first novel (mainly Fox's sense of place, and his affection for his cast) drives the second. But in BRIDE, readers find themselves in the hands of a more experienced, more confident storyteller, one who writes with considerably more assurance and panache. Striking a delicate balance between horror, humor, and pathos, Fox takes his fat white vampire on a rollicking, frightening adventure, all the while honoring, updating, and poking sly fun at the hoariest of horror movie and mystery novel clichés. Readers will find themselves alternately laughing and shuddering, sympathizing with even the oddest of motivations Fox provides for his quirky cast. He also expertly toys with his audience's expectations. The author has numerous surprises up his sleeve, and, even if they guess early on whodunit, the "why" behind the perpetrator's deeds will still leave readers shaking their heads.
It's fitting that in a summer blessed by a couple of truly excellent movie sequels (Shrek II and Spider-Man II), Fox turns the same trick with this follow-up to FAT WHITE VAMPIRE BLUES. Based on the quality of this sequel, and on Fox's keen awareness of the traditions of the horror genre, can HOUSE OF THE FAT WHITE VAMPIRE and GHOST OF THE FAT WHITE VAMPIRE be far behind? One hopes so.