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| 1. Concerto for Guitar and Orchestra | |||
| 2. Five Preludes | |||
| 3. Twelve Etudes | |||
| 4. Allegro preciso | |||
| 5. Andantino e Andante; Cadenza | |||
| 6. Allegretto non troppo | |||
| 7. "Andantino espressivo, No. 1 in E Minor" | |||
| 8. "Andantino, No. 5 in D" | |||
| 9. "Andante; Molto adagio; Andante, No. 3 in A Minor" | |||
| 10. "Lento; Animato; Moderato; Lento, No. 4 in E Minor" | |||
| 11. "Andantino, No. 2 in E" | |||
| 12. "Allegro non troppo; Lento, No. 1" | |||
| 13. "Allegro, No. 2" | |||
| 14. "Allegro moderato, No. 3" | |||
| 15. "Poco moderato; A tempo; Grandioso, No. 4" | |||
| 16. "Andantino, No. 5" | |||
| 17. "Poco Allegro, No. 6" | |||
| 18. "Très animé; Più mosso, No. 7" | |||
| 19. "Moderato, No. 8" | |||
| 20. "Très peu animé, No. 9" | |||
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The concerto, one of the most accessible of all guitar concertos, was originally commissioned from Villa-Lobos by Segovia - but don't hold that against it! There are some memorable passages, not to mention the moody passion in the cadenza, all played with the kind of melliflouous dynamics that are synonymous with Bream's playing.
Whilst the Etudes are more of academic interest than musical, Bream conveys a level of interpretation that makes what would otherwise be dry study pieces into listenable melodies.
The six preludes illustrate the full range of Villa-Lobos compositional pallete, and are some of the best kept secrets in music.
If you only ever buy one guitar music album, or you're looking for an introduction to the world of classical guitar music, make sure that this is the album you buy.
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