One of the other customer reviews made the point that the Stark / Parker and Westlake / Dortmunder books are in fact the same books. I think that's a little over simplified, but I have to admit that there's more than a little truth in that suggestion. Toward the end of BREAKOUT, I thought, "Good grief, this is THE HOT ROCK!" That's also over simplified, but you get the idea.
In THE HUNTER, Stark mentioned in passing that Parker was once arrested as a vagrant, and escaped from a work farm by killing a guard. This is the record, as Ronald Kasper, but with Parker's own prints, that dogs him, although it's by no means his last killing, on or off record.
This time out, Parker participates in a pharmaceutical heist that goes wrong. Unlike so many other times, he isn't allowed to disappear into the woods or down a convenient, unwatched alley. He goes, not strictly to jail, but to a "detention center", where suspected felons wait before and during trail. This is essentially the same kind of less-structured environment that Dortmunder wrestles with in THE HOT ROCK.
Parker is visited by a court-appointed lawyer, and manages to get a message to his long-time squeeze, Claire. Presto, a more clued-in attorney shows up, and things begin to roll. Ed Mackey, previously involved in Parker escapades, drops in to show his gratitude for past favors, and assists Parker in identifying fellow prisoners who might be useful in an escape.
They escape, and then Parker becomes involved with outsiders who assisted in the escape, who have a jewelry heist to pull. The heist goes down, and goes bad; Parker survives with his two fellow escapees, but must then break out of the converted armory that the jewels were stored in.
Are you getting the picture? This would be pretty ordinary stuff, but for Mr. Stark's masterful handling, plus a certain sense of humor. Told by one of his fellow cons that prison isn't a natural environment, Parker says, "It isn't an environment ... It's a body cast."
OK, the good lawyer is rather fortuitous (makes you wonder what happened to guys like Amos Klee), but the cops have been steadily getting less dumb, if still sparse. BREAKOUT's Inspector Turley reminds me a lot of the careful, smart cop from THE SEVENTH.
Bottom line: if you enjoy taking a ride with Stark, this one will be a pleasant trip.