Amazon.co.uk Review
The atmospheric and erotically charged
Breaking and Entering reunites director Anthony Minghella with Jude Law (
The Talented Mr. Ripley,
Cold Mountain) and the haunting Juliette Binoche (
The English Patient, for which she and Minghella won Academy Awards). Law fully invests himself as pre-occupied landscape architect Will Francis, who with his partner (Martin Freeman from
The Office), is heading a gentrification project in London's seedy, crime-plagued King's Cross neighborhood. At home, he and Liv (Robin Penn Wright), his morose Swedish-American girlfriend of 10 years, are increasingly estranged over the demands of his job and of caring for Liv's autistic daughter, a 13-year-old aspiring gymnast. Will, hiding his identity, begins an affair with Amira (Binoche), the mother of a youth who has twice ransacked Will's office. Amira is a Bosnian refugee with a fierce survival streak that is not above blackmail when she learns who Will is.
This is Minghella's first original screenplay since his little-known romantic gem Truly Madly Deeply. The dialogue has Woody Allen pretensions: A cleaning woman who comes under suspicion for the break-ins invokes Kafka. A prostitute (Vera Farmiga giving the film's liveliest performance) has a philosophical bent. Will himself ham-handedly explains how he much prefers metaphors to straightforward communication (he'd love this film's title). An art-house film with an A-list cast and wrenching performances, Breaking and Entering couldn't get arrested in theatres, but it is a fine addition to Crash and other liberal-minded "them and us" dramas. --Donald Liebenson
Synopsis
BREAKING AND ENTERING is interesting, character-driven drama. Jude Law (CLOSER, FINAL CUT) plays Will, a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn, FORREST GUMP, THE PLEDGE) for years, but its difficult to connect with her due to her worry over her teenage daughter. When Will catches teenager Miro breaking into his office, he chases the thief home. He later meets the boy's mother, a Bosnian refugee played by Juliette Binoche (CHOCOLAT, THE ENGLISH PATIENT). His anger at Miro is quickly transformed into attraction to his mother, further complicating his relationship with Liv.
This is Laws third teaming with director Anthony Minghella (after THE TALENTED MR. RIPLEY and COLD MOUNTAIN), and their partnership rewards the audience with a typically good performance from the actor. Wright Penn and Binoche also display the talent people have come to expect, but its the supporting cast that shines here. As Wills business partner, Sandy, Martin Freeman plays second fiddle to Law, but he possesses a similar charm as his character on THE OFFICE. As a persistent prostitute, Vera Farmiga (THE DEPARTED) is one of the movies highlights, providing laughter in what is largely a very bleak film. Gavron is a capable young actor as Miro, but his performance is most astonishing for his skills at the sport of parkour, a kind of urban acrobatics on display throughout the film. If only these characters were half as adept at life and relationships as Gavron is at leaping from building to building...