Based on the novel of the same name by Michael Downing, 'Breakfast With Scot' is another excellent film from the Canadian film industry (hot on the heels of a film of similar genre, 'Whole New Thing').
Eric (a former ice-hockey star, now a TV sportscaster) and Sam (a lawyer) are the epitome of the insidious, assimilated urban-professional homophile couple, concerned with their stock portfolio, a pristine apartment, and maintaining hetero-orthodoxy. Their magazine coffee-table lives are overturned when 11 year old Scot (captivatingly portrayed by Noah Bernett) is deposited on them after his mother dies of an overdose. Scot is unburdened by cultural gender-role dogma, and much prefers cosmetics, costume jewellery and musicals to ice hockey and rough-housing.
The anticipated story arcs ensue, as Eric and Sam attempt to adapt to the role of parents - Scot wearing make-up to school, being bulled for being a 'sissy', and wanting to kiss neighbourhood boys - forcing the couple to confront their own prejudices. Although the overall trajectory is predictable in this sense, the real achievement (and indeed, the studied focus) of the film is the superb depiction of the transformation in the character of Eric (a penetrating performance by Tom Cavanagh), as he struggles with his internalized homophobia and fear of anything that transgresses static gender boundaries.
Inevitably, some of the finer layers of the novel had to be jettisoned, but director Laurie Lynd has done a most commendable job in the difficult task of translating the dry humour and pathos of the novel to the screen. In addition to being both tremendously funny and intensely moving, 'Breakfast With Scot' raises pertinent questions about the betrayal of young people in the post-1970s LGBT "liberation" movement. Highly recommended.