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About the Artist
Born near the bay of Guanabara in Rio, Bonfa took up the guitar at eleven and studied classical guitar with the Uruguayan master Isaias Savio. He began to work Rio's clubs as a singer with the Quitandinha Serenaders, and by 1946, he was appearing on Brazil's Radio Nacional. By 1957, Bonfa began to split his time between New York City and Rio, touring the U.S. with singer Mary Martin, as well as writing and recording Brazilian film scores. The turning point in his career came in 1959 when film director Marcel Camus asked Bonfa to contribute some songs to his film version of the play Orfeo do Carnaval (to be renamed Black Orpheus on the screen). The director originally rejected "Manha de Carnaval" as the film's main theme, but after coming up with what he felt was an inferior second effort, Bonfa fought for his first tune and got his way, and "Manha de Carnaval" became a global pop/jazz/folk standard.
In the late '50s and '60s, Bonfa began recording several albums for the American market and he and his songs appeared prominently on the Jazz Samba Encore album with Jobim and Stan Getz. Bonfa's profile in America virtually disappeared after the 1960s, although he continued to tour and write, eventually cutting over 50 albums. But he resurfaced after a 15-year gap in 1989 with Non-Stop to Brazil, followed by the ravishing The Bonfa Magic in 1991. On January 12, 2001, Luiz Bonfa died of cancer in Rio de Janeiro.
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