- Actors: Jack Mathews, Marvin Antonowsky, Mark Finkle, Terry Gilliam, Arnon Milchan
- Writers: Jack Mathews
- Format: Closed-captioned, Colour, Director's Cut, Dolby, DVD-Video, Letterboxed, Widescreen, PAL, NTSC
- Subtitles: English
- Region: Region 1 (US and Canada DVD formats.)
- Aspect Ratio: 16:9 - 1.85:1
- Number of discs: 3
- Classification: R (Restricted) (US MPAA rating. See details.)
- Studio: Criterion
- DVD Release Date: 13 July 1999
- Run Time: 60 minutes
- Average Customer Review: 4.2 out of 5 stars See all reviews (75 customer reviews)
- ASIN: 0780022181
- Amazon Bestsellers Rank: 71,552 in Film & TV (See Top 100 in Film & TV)
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Reviews
Amazon.co.uk Review
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unravelling this bureaucratic glitch, he himself winds up labelled as a miscreant.
The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --Jim Emerson
Amazon.co.uk Review
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--Brazil is the sort of outrageously dystopian satire one could easily imagine him making. In fact it was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek government clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. It's not a software bug but a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets squashed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unravelling this bureaucratic tangle, he himself winds up labelled as a miscreant. The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --Jim Emerson
On the DVD: Brazil comes to DVD in a welcome anamorphic print of the full director's cut--here running some 136 minutes. Disappointingly the only extra feature is the 30-minute making-of documentary "What Is Brazil?", which consists of on-set and behind-the-scenes interviews. There's nothing about the film's controversial release history (covered so comprehensively on the North American Criterion Collection release), nor is Gilliam's illuminating, irreverent directorial commentary anywhere to be found. The only other extra here is the ubiquitous theatrical trailer. A welcome release of a real classic, then, but something of a missed opportunity. --Mark Walker
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Customer Reviews
Most Helpful Customer Reviews
7 of 7 people found the following review helpful
Format:Blu-ray
Weird but excellent film, been one of my favourites for years and was looking forward to the blu-ray release.
However, what is the point of blu-rays when compared to DVDs? Ah, yes, superior visuals and sound quality, or at least supposedly.
Visually, the transfer is pretty good for a 25+ year old film (though no great improvement over an upscaled DVD).
Audio is another matter. This is standard 2.0 Dolby Digital and compares to the USA multi-region release that is DTS-HD Master and which sounds much better than the UK version (yes, I know it's sad, but I did buy the US version after my disappointment with the UK version).
So, Fox, why is it that you think the UK should put up with inferior sound quality compared to the US edition? Was it really impossible to use the same master? And again, what is the point in blu-ray if the production companies bundle the disc with a sound format that is no better than DVD (actually, worse, my old Criterion edition at least has 2.1 Dolby Digital - well, I did say it was one of my favourite films...).
However, what is the point of blu-rays when compared to DVDs? Ah, yes, superior visuals and sound quality, or at least supposedly.
Visually, the transfer is pretty good for a 25+ year old film (though no great improvement over an upscaled DVD).
Audio is another matter. This is standard 2.0 Dolby Digital and compares to the USA multi-region release that is DTS-HD Master and which sounds much better than the UK version (yes, I know it's sad, but I did buy the US version after my disappointment with the UK version).
So, Fox, why is it that you think the UK should put up with inferior sound quality compared to the US edition? Was it really impossible to use the same master? And again, what is the point in blu-ray if the production companies bundle the disc with a sound format that is no better than DVD (actually, worse, my old Criterion edition at least has 2.1 Dolby Digital - well, I did say it was one of my favourite films...).
34 of 37 people found the following review helpful
Format:DVD
Where on earth do you start when you try describing Brazil? Terry Gilliam does a spectacular job portraying a dark fantasy world where society is taken over by a sinister bureaucracy which creates the nightmare scenario where individuals don't know who to trust or where to turn for help. What makes Brazil particularly uncomfortable and even prophetic, is that we can identify with the leading character (played by Johnathon Price) and his lonely plight into a dystopian hell. For anyone who has been enraged by being fobbed off by something like an electronic answering service in a bank, multiply Price's anguish by ten. He lives in an inhuman world which has nothing left other than red tape and faceless autocrats. Gilliam proves that you don't need any of the tactics employed by the horror genre to a create a terrifying and riveting scenario.
11 of 12 people found the following review helpful
Format:DVD|Amazon Verified Purchase
It's not often that you sit down to watch a film first released a quarter of a century ago and feels like you are watching one that could have been released yesterday, but such was my experience with Terry Gilliam's Brazil.
The nightmare future it paints seems as apposite now as it did in the 1990s - being one based on suffocating bureaucracy, widespread and intrusive government surveillance and a paranoid response to terrorist attacks.
The future world is not only beautifully designed, down to numerous small details, but by picking a visual style that is '1930s modern' (sophisticated machinery but with a touch of the pre-electronic era with manual typewriter keyboards and compressed air driven communication systems), Gilliam ensured that the look would not date.
The targets of his caricatures have also stood the test of time, whether it's the idea of unhelpful telephone support lines (with the calls to Central Services to fix a plumbing problem resulting in the same sort of frustrating response that - badly - automated phone systems do today) or the stifling grip of paperwork and a bureaucracy that concentrates on ensuring all the paperwork is in order (tick-box culture, anyone?). The way bureaucrats in the film reduce a woman's fear that her wife has died to a matter of complaint forms and receipts immediately chimes and brings to mind current events such as the way in which Haringey Council responded to its failure to protect Baby P from death by talking about how good its paperwork and procedures were. The scenes of suspected terrorists being arrested, trussed up and bundled away likewise bring to mind pictures of Guantanamo Bay, orange jump suits and all. And in these post-credit crunch times the line, "If you hold out [confessing] too long it could jerpordise your credit rating" sounds all too current.
But perhaps my favourite touch are the government posters saying "Don't suspect a friend. Report him". A film-maker wishing to satirise current governments couldn't do much better.
The plot itself isn't up to much. It is pretty standard fare for this sort of dystopian future film. In its favour is the fact that the plot is 25 years old; the intervening years and films with similar plots make Brazil's plot seem more formulaic than it would have at the time. Even so, the plot is not the reason to watch the film - particular if you don't like a predictable romantic interlude set in a bleak future.
Instead, it is the visual richness and the overall picture of society it is satirising that make the film. Well worth getting and watching.
The nightmare future it paints seems as apposite now as it did in the 1990s - being one based on suffocating bureaucracy, widespread and intrusive government surveillance and a paranoid response to terrorist attacks.
The future world is not only beautifully designed, down to numerous small details, but by picking a visual style that is '1930s modern' (sophisticated machinery but with a touch of the pre-electronic era with manual typewriter keyboards and compressed air driven communication systems), Gilliam ensured that the look would not date.
The targets of his caricatures have also stood the test of time, whether it's the idea of unhelpful telephone support lines (with the calls to Central Services to fix a plumbing problem resulting in the same sort of frustrating response that - badly - automated phone systems do today) or the stifling grip of paperwork and a bureaucracy that concentrates on ensuring all the paperwork is in order (tick-box culture, anyone?). The way bureaucrats in the film reduce a woman's fear that her wife has died to a matter of complaint forms and receipts immediately chimes and brings to mind current events such as the way in which Haringey Council responded to its failure to protect Baby P from death by talking about how good its paperwork and procedures were. The scenes of suspected terrorists being arrested, trussed up and bundled away likewise bring to mind pictures of Guantanamo Bay, orange jump suits and all. And in these post-credit crunch times the line, "If you hold out [confessing] too long it could jerpordise your credit rating" sounds all too current.
But perhaps my favourite touch are the government posters saying "Don't suspect a friend. Report him". A film-maker wishing to satirise current governments couldn't do much better.
The plot itself isn't up to much. It is pretty standard fare for this sort of dystopian future film. In its favour is the fact that the plot is 25 years old; the intervening years and films with similar plots make Brazil's plot seem more formulaic than it would have at the time. Even so, the plot is not the reason to watch the film - particular if you don't like a predictable romantic interlude set in a bleak future.
Instead, it is the visual richness and the overall picture of society it is satirising that make the film. Well worth getting and watching.
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Most Recent Customer Reviews
GREAT MOVIE BUT....
I'm not going to review this movie other than to see it's a brilliant and unmissable classic.
If you only want the so-called Director's Cut this release is just fine. Read more
If you only want the so-called Director's Cut this release is just fine. Read more
Published 23 days ago by DJ Rockula
Mind-Blowing 1980s White Elephant
There is no question that this 1984-esque movie is an epic production. The sheer scope of the sets and costumes alone screams immense budget and sparkling production values. Read more
Published 1 month ago by Sean T. Page
Avoid like the plague
We got this DVD from all the positive reviews, we are still in shock at how this film could get so much decent feedback. Read more
Published 1 month ago by peinchka
Totally not Hollywood!
This is actually one of my favorite movies, just because it is so off-the-wall. Impossible to describe; very strange but very entertaining. Read more
Published 1 month ago by Lugus Luna
Good Blu-ray of a classic film
This Blu-ray has the full length director's cut (not the shortened American version), great video quality and is region-free. Unfortunately, only Dolby Digital Stereo is included. Read more
Published 2 months ago by jmo78
Fantastic
Tery Gilliams Orwelian black comedy set in a not to distant future where technology has taken over but is not in charge, is a remarkable film. Read more
Published 4 months ago by Mr. G. Robinson
why is it called brazil?
Brazil portrays a future in which Big Brother is definitely watching. The film suggests no particular time, boasting a retro style that gives it an ominous timelessness. Read more
Published 5 months ago by bizmandan
A warning from 1985?
Brazil is a dark nightmare movie. It is set in a made-up surveillance state where terrorism is an everyday occurrence and every little thing that takes place requires oodles of... Read more
Published 5 months ago by Popcorn Player
Wich audio on this BR ?
(Sorry for my bad english)
Can u tell me if a french audio track is available on this BR ? and there is a french subtitle track ?
Thx by advance ;)
Can u tell me if a french audio track is available on this BR ? and there is a french subtitle track ?
Thx by advance ;)
Published 6 months ago by Chris
Unique and Powerful
Where do you start when considering this amazingly one-off? There is quite simply nothing to compare it with. Read more
Published 10 months ago by Dr John N Sutherland
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