For a CD produced round about 1987, the sound is still fresh and contemporary Brazillian music.The group as usual present an intense, witty, nostalgic, and highly professional perfomance.The highlight of this album is when they are joined by Stan Getz with his beautifully toned "Bossa" Sax and singer/composer Djavan on his song "Capim";with his deep flat intonation.Paulinho Da Cotsa plays percussion on this and other tracks, with members of the group Uakti.In the song "Notes from the Underground" by Brock Walsh/Ivan Lins/Vitor Martins; they make reference to the troubled Soweto across a blue /green ocean, and this is a link also with the African 'Sowetto' Market in Salvador, Bahia, Brazil. Very pertinent to Worldwide politics, this not just a musical fantasy. Most of the songs carry a social comment,and it is interesting that the song "Metropolis" might refer to busy Rio, or Brasillia at 6am, but also recalls the classic Silent Film of the same name.This song has a 'time warp' percussion effect.
Janis Siegel and Alan Paul arrange most of the vocals and Cheryl Bentine's high register harmonising is always present, but a lot of the records success is due to Tim Hauser's brilliant production, and his amazing ability to bring elements and musicians together, and create something new and authentic in whichever musical genre Man Tran chooses to work.