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A Boy's Own Story (Picador Thirty)
 
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A Boy's Own Story (Picador Thirty) [Paperback]

Edmund White
4.2 out of 5 stars  See all reviews (6 customer reviews)

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Product details

  • Paperback: 240 pages
  • Publisher: Picador; New Ed edition (6 Sep 2002)
  • Language English
  • ISBN-10: 0330412264
  • ISBN-13: 978-0330412261
  • Product Dimensions: 17.3 x 10.9 x 1.8 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 155,249 in Books (See Top 100 in Books)

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Edmund White
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Product Description

Product Description

The protagonist of this story is a homosexual, and his story is of a life in which homosexuality is a shaping force. Set in the American midwest of the 1950s, the book tells how the frustrated 15-year-old, whom the world would despise if it knew him, becomes the guardian of public morals. --This text refers to an out of print or unavailable edition of this title.

Book Description

‘Edmund White has crossed The Catcher in the Rye with De Profundis, J. D. Salinger with Oscar Wilde, to create an extraordinary novel. It is a clear and sinister pool in which goldfish and piranhas both swim. The subject of A Boy’s Own Story is less a particular boy than the bodies and souls of American men; the teachers and masters; the lovers, brothers, hustlers and friends; the flawed fathers who would be kings to their own sons who should be princes’ New York Times Review ‘A breathtaking evocation of a young boy growing up in the fifties in an American town . . . The book’s extraordinary power lies in the tension between the obsessive longing and then moments of denial, the attempts to transcend or avoid the inescapable fact of the boy’s sexuality . . . There have been many good novels of adolescence; this one surpasses them all’ Jeremy Seabrook, New Society ‘The boy’s self-portrait shines with authenticity, he is an extraordinary but plausible mixture of sweetness and deviousness . . . Add to this the fact that White’s prose is marvellously sensual while his eye is sharply satiric and you have something of the flavour of an outstanding text which should appeal to a wide audience. The book goes beyond its homosexual theme to say something about the whole process of growing up’ Robert Nye, Guardian --This text refers to an alternate Paperback edition.

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Customer Reviews

Most Helpful Customer Reviews
7 of 7 people found the following review helpful
By Philip Spires TOP 1000 REVIEWER
Format:Paperback
A reviewer of A Boy's Own Story by Edmund White is presented with a number of problems, In the paraphrased words of one of the book's characters, there may be a lot in the wash, but eventually not much to hang out, and this, by the end of the book, largely summed up what it had delivered. Be reassured, however, that the process of reading A Boy's Own Story is a delight from start to finish. Edmund White's style is quite beautiful, full of complex allusions, superb characterisation and, above all, masterful description. Every character springs to life off the page. If only collectively or individually they had more to offer...

A Boy's Own Story is an adolescent's discovery and realisation of his own homosexuality. The book promises a lot of sex and, sure enough, it both begins and ends with explicit encounters. Throughout the remainder, however, the sex seems to be more in the mind than in the experience. It appears that Edmund White's adult recollection of his teenage dilemmas could have been subject to the embellishment of later reflection. Repeatedly the author stretches time to explore the detail of options whenever the boy of the title is presented with a dilemma. These were surely the voices of later years speaking through an ostensibly reconstructed, but surely imagined past. The boy always spoke eloquently about his choices, considered options in detail, but perhaps not convincingly. One of the more engaging aspects of coming of age sagas is how innocence is portrayed and how its conquest is engineered. In A Boy's Own Story one feels that Edmund White wants to deny that he was ever innocent, or at least suggest that he would ever admit it. And so a spark that could have lit up the glowing prose never quite ignited.

When the book first appeared over twenty years ago, the fact that it did appear in its explicit form, apparently denying the guilt that oozes off every page, might itself have been worthy of note. Twenty years on it now reads as merely dated, but still it reads beautifully thanks to the author's supreme skill with words and expression. The issues that might previously have rendered it remarkable have, however, long since cooled, so now the reader must approach the book either as it is, as an autobiography, or alternatively in historical terms. The book, however, cannot sustain the latter approach.

I will now certainly seek out other books by Edmund White, but in the case of A Boy's Own Story I am tempted to conclude that though writers have to be self-obsessed, when that neurosis is turned completely inward, it raises new barriers that can exclude the reader. Hence the gloss. Hence the sheen of the whiter than white washing that proves to be just half a load.
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17 of 19 people found the following review helpful
By A Customer
Format:Paperback
Edmund White captures the reader's attention early on when the 12-year-old Kevin takes the lead after dark. The physical side of young love is described in detail here with tenderness and realism. Kevin's remoteness (ie no kissing) keeps the relationship one sided and one can imagine that the young Kevin forgets all about it once each session is over whereas our hero gets more and more worried about his deep feelings. As the book progresses, the encounters become random and are kept in the background, yet the soul-searching becomes more open. White captures the confusion of adolescent sexuality well, yet the final betreyal somehow doesn't resolve the dilemma...
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17 of 22 people found the following review helpful
Beautiful writing 10 Oct 2000
By A Customer
Format:Paperback
If for nothing else, read this book for the beauty of its writing. The story ought to fall into the coming-of-age category, yet even here it is better than the average. It is told with poignancy, humour and not over the top. But the style takes this book into great modern literature. How often can a damned good read also be so well written.
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