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Boys Don't Cry Import

4.4 out of 5 stars 75 customer reviews

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£17.99 & FREE Delivery in the UK on orders over £20. Details Only 4 left in stock. Sold by schnuppie83 and Fulfilled by Amazon. Gift-wrap available.

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Product details

  • Audio CD (24 May 2012)
  • Number of Discs: 1
  • Format: Import
  • Label: Wea
  • ASIN: B007Y1S2HQ
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (75 customer reviews)
  • Amazon Bestsellers Rank: 242,060 in Music (See Top 100 in Music)
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Product Description

CD Description

The second studio album from singer-songwriter Rumer is a diverse collection of covers, paying tribute to some of her favourite 70s songs. Covers include tracks originally released by artists such as Leon Russell, Issac Hayes and Bob Marley, as well as opening track "P.F. Sloan", penned by Jimmy Webb. The special edition includes four bonus tracks.

BBC Review

On Boys Don’t Cry, the follow-up to her million-selling 2010 debut Seasons of My Soul, Rumer has recorded versions of tracks written by men in the 1970s. It doesn’t quite have the subversive qualities that Tori Amos’ similarly themed 2001 album Strange Little Girls had – with the possible exception of her take on Neil Young’s A Man Needs a Maid, where the sense and meaning of the original are somewhat altered by its being performed by a woman in 2012.

Often, with its covers of songs by Todd Rundgren, Hall & Oates, Stephen Bishop, Paul Williams, Clifford T Ward, Gilbert O’Sullivan and Jimmy Webb, Boys Don't Cry feels like Rumer’s deep immersion in the pantheon of arcane US and UK MOR rock prompted her to construct an alternative canon of commercial tunesmiths requiring critical rehabilitation. In almost every instance she inhabits the songs to such an extent that they feel like her own compositions, even when the titles at first seem inappropriate.

Williams’ Travelin’ Boy is one of two tracks here by a songwriter formerly covered by Karen Carpenter, whose voice Rumer’s resembles to an uncanny degree. Not for nothing did she recently receive the approbation of Richard Carpenter to go along with her plaudits from Elton John and Burt Bacharach.

The object of the project was, she says, to make a record that described the solace and anguish she’s experienced since achieving success and fame. Hence all the songs – including Travelin’ Boy, Ward’s Home Thoughts From Abroad and Flyin' Shoes by Townes Van Zandt – about rootlessness and longing to be home.

It goes without saying that Rumer’s performances are uniformly technically flawless and models of restraint. Boys Don't Cry works superbly as a companion piece to Seasons..., the harmonic richness of the music and lush chord sequences showing exactly where her allegiances lie: Be Nice to Me is Rumer doing Rundgren doing Laura Nyro doing Bacharach, and Travelin' Boy suggests an album’s worth of collaborations with the composer of Rainy Days and Mondays would be no bad thing.

Boys Don’t Cry posits Rumer as a throwback, albeit a glorious one, to a bygone era, when the songwriting verities of the Brill Building were transposed to LA’s Laurel Canyon. Fabulous stuff.

--Louis Pattison

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Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
This is a very classy album which should probably be required listing for all contestants in the current crop of Saturday night warble fests. Sure, it looks and sounds as if it was recorded in 1972 but Sarah Joyce is such a gifted interpreter of this material that it never sounds like a pastiche or a mere exercise in nostalgia. The song choice is solid, mining a number of 70s classics for material but avoiding the obvious. This approach could easily yield several more albums and you may find yourself wondering what a Rumer version of X or Y would sound like. Her voice recalls the great singers of the era, obviously K.C. and Dusty but I was also reminded of the great (and tragic) Judee Sill. If the thought of Karen Carpenter covering Townes Van Zandt sets your pulse racing then do give the album a go (the inclusion of `Flyin' Shoes' is the ultimate seal of quality in my book). Even so, Rumer has her own voice and truly inhabits these songs.
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By The Wolf TOP 50 REVIEWERVINE VOICE on 28 May 2012
Format: Audio CD
Sarah Joyce has a lovely voice. No doubt about it. Her sophomore offering
'Boys Don't Cry', however, is a risky proposition all-things-told. An album
of covers for her second outing may possibly alienate some of the fans who
gave such a big thumbs-up to her unimpeachable debut 'Seasons Of My Soul'
but as it happens the sixteen tracks in this collection win through by virtue
of her easy, relaxed delivery and flawless interpretations. It's easy
listening in the nicest possible way. Her London gig at St James church
last week also proved that, live, she is a personable and confident
performer too. Comparisons with Karen Carpenter continue to stalk her
like a shadow (no bad thing in my view) but beyond this Ms Joyce
is asserting her own position as one of the finest new singers currently
working within our shores. Take a song like Isaac Hayes' bluesy 'Soulsville';
her rendition proves that she has a capacity for real soul. She glides
through the number with ease, supported by some cracking gospel backing
vocals and wonderfully restrained playing from her sympathetic instrumental
ensemble. Her take on Hall and Oates 'Sara Smile', too, is a complete joy.
Townes Van Zandt's 'Flying Shoes' gets a dusting down and comes up shining
like a new silver sixpence and opening track 'P.F.Sloan' by Jimmy Webb will
melt your heart if you let it. On the down side Gilbert O'Sullivan's 'We Will'
requires an effort of will to see beyond its composer's schmaltzy sentiment.
On the other hand, 'It Could Be The First Day' by Richie Havens positively
glows with warmly articulated and richly realised emotion. A real treasure.

Producer Steve Brown does a grand job at the desk from top to tail.
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Format: Audio CD Verified Purchase
Although an unashamed fan of Rumer and her talents, it doesn't put me beyond constructive criticism. As I commented on the review posted by 'The Wolf' I felt a bit removed from the material when I heard it for the first time at St James Church, it was a step away from Seasons album in many ways. My first impressions were less Rumer here I am in-a-sense, more Rumer ostensibly performing material by others and obviously so, but that view has changed with a few plays. (Edit: really growing on me, like a Streisand early album in many ways, so beautifully sung and rambling, I really wish we could rate these reviews in 0.5 increments)

Now I feel you can sense the songs are sung with meaning and sincerity and that beautiful voice is great to hear again. I doubt I will move to hear the originals so I have enjoyed the album as a whole, and for me it will be Rumer - not the original artists - who will come to own them, as I am sure will be the case with the majority of people listening to the album. I think it might be a benefit not having heard the originals too, for me you are always comparing this bit with that and it takes away something from the enjoyment. To rate this album with five stars would put it on the same pedestal as the outstanding Seasons which I don't think would be fair but it sparkles in places and is a good addition to an album collection. We all have favourites, but I particularly liked P.F Sloan, It could be the Last Day, Be Nice to Me, Sara Smile, Flyin' Shoes, Soul Rebel, A Man needs a Maid.

Home Thoughts from Abroad has the same beautifully banal lyrics as Thankful (from Seasons), maybe somewhere there is a link, both beautifully sung mind.
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Format: Audio CD Verified Purchase
There will be no arguments from me about the quality of Rumer's song selections, all from male singer songwriters of the 70s and many neglected for far too long, for example, Clifford T Ward's emotional Home Thoughts From Abroad. My problem with the album is that it makes me want to go back to John Oates' original guitar intro to Sarah Smile or to hear the strings coming in on A Man Needs A Maid rather than listen to Rumer's versions. So by all means buy this as sort of sampler of 70s songwriters, but be prepared to be led elsewhere.
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