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Boys Don't Cry Special Edition, Extra tracks, Enhanced


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Music

Image of album by Rumer

Photos

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Videos

Amazon UK Video Exclusive: Rumer interviewed by "Whispering" Bob Harris

Biography

Rumer was born and spent the very early years of her life in Pakistan. Her father was the chief-engineer involved in the construction of the enormous Tarbela Dam, 30 miles to the northwest of Islamabad. Previously, the job had taken him, together with his young family, to the Western Australian outback and Tasmania as well as to South Africa. Rumer was the youngest of seven children who found ... Read more in Amazon's Rumer Store

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Frequently Bought Together

Boys Don't Cry + Seasons Of My Soul + Into Colour
Price For All Three: £29.13

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Product details

  • Audio CD (28 May 2012)
  • Number of Discs: 1
  • Format: Special Edition, Extra tracks, Enhanced
  • Label: Atlantic Records
  • ASIN: B007KW55VK
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (67 customer reviews)
  • Amazon Bestsellers Rank: 25,946 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. P.F. Sloan 4:10£0.99  Buy MP3 
Listen  2. It Could Be The First Day 2:27£0.79  Buy MP3 
Listen  3. Be Nice To Me 3:27£0.79  Buy MP3 
Listen  4. Travelin' Boy 3:20£0.79  Buy MP3 
Listen  5. Soulsville 3:46£0.79  Buy MP3 
Listen  6. The Same Old Tears On A New Background 2:50£0.79  Buy MP3 
Listen  7. Sara Smile 3:33£0.99  Buy MP3 
Listen  8. Flyin' Shoes 4:04£0.79  Buy MP3 
Listen  9. Home Thoughts From Abroad 3:27£0.79  Buy MP3 
Listen10. Just For A Moment 2:39£0.99  Buy MP3 
Listen11. Brave Awakening 4:10£0.99  Buy MP3 
Listen12. We Will 4:00£0.79  Buy MP3 
Listen13. Andre Johray 2:54£0.99  Buy MP3 
Listen14. Soul Rebel 3:33£0.79  Buy MP3 
Listen15. My Cricket (Bonus Track) 2:50£0.99  Buy MP3 
Listen16. A Man Needs A Maid 3:59£0.79  Buy MP3 

Product Description

Product Description

The second studio album from singer-songwriter Rumer is a diverse collection of covers, paying tribute to some of her favourite 70s songs. Covers include tracks originally released by artists such as Leon Russell, Issac Hayes and Bob Marley, as well as opening track "P.F. Sloan", penned by Jimmy Webb. The special edition includes four bonus tracks.

BBC Review

On Boys Don’t Cry, the follow-up to her million-selling 2010 debut Seasons of My Soul, Rumer has recorded versions of tracks written by men in the 1970s. It doesn’t quite have the subversive qualities that Tori Amos’ similarly themed 2001 album Strange Little Girls had – with the possible exception of her take on Neil Young’s A Man Needs a Maid, where the sense and meaning of the original are somewhat altered by its being performed by a woman in 2012.

Often, with its covers of songs by Todd Rundgren, Hall & Oates, Stephen Bishop, Paul Williams, Clifford T Ward, Gilbert O’Sullivan and Jimmy Webb, Boys Don't Cry feels like Rumer’s deep immersion in the pantheon of arcane US and UK MOR rock prompted her to construct an alternative canon of commercial tunesmiths requiring critical rehabilitation. In almost every instance she inhabits the songs to such an extent that they feel like her own compositions, even when the titles at first seem inappropriate.

Williams’ Travelin’ Boy is one of two tracks here by a songwriter formerly covered by Karen Carpenter, whose voice Rumer’s resembles to an uncanny degree. Not for nothing did she recently receive the approbation of Richard Carpenter to go along with her plaudits from Elton John and Burt Bacharach.

The object of the project was, she says, to make a record that described the solace and anguish she’s experienced since achieving success and fame. Hence all the songs – including Travelin’ Boy, Ward’s Home Thoughts From Abroad and Flyin' Shoes by Townes Van Zandt – about rootlessness and longing to be home.

It goes without saying that Rumer’s performances are uniformly technically flawless and models of restraint. Boys Don't Cry works superbly as a companion piece to Seasons..., the harmonic richness of the music and lush chord sequences showing exactly where her allegiances lie: Be Nice to Me is Rumer doing Rundgren doing Laura Nyro doing Bacharach, and Travelin' Boy suggests an album’s worth of collaborations with the composer of Rainy Days and Mondays would be no bad thing.

Boys Don’t Cry posits Rumer as a throwback, albeit a glorious one, to a bygone era, when the songwriting verities of the Brill Building were transposed to LA’s Laurel Canyon. Fabulous stuff.

--Louis Pattison

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Customer Reviews

4.4 out of 5 stars
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Most Helpful Customer Reviews

20 of 20 people found the following review helpful By Robert Pomeroy on 29 May 2012
Format: Audio CD Verified Purchase
This is a very classy album which should probably be required listing for all contestants in the current crop of Saturday night warble fests. Sure, it looks and sounds as if it was recorded in 1972 but Sarah Joyce is such a gifted interpreter of this material that it never sounds like a pastiche or a mere exercise in nostalgia. The song choice is solid, mining a number of 70s classics for material but avoiding the obvious. This approach could easily yield several more albums and you may find yourself wondering what a Rumer version of X or Y would sound like. Her voice recalls the great singers of the era, obviously K.C. and Dusty but I was also reminded of the great (and tragic) Judee Sill. If the thought of Karen Carpenter covering Townes Van Zandt sets your pulse racing then do give the album a go (the inclusion of `Flyin' Shoes' is the ultimate seal of quality in my book). Even so, Rumer has her own voice and truly inhabits these songs.
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31 of 33 people found the following review helpful By The Wolf TOP 100 REVIEWERVINE VOICE on 28 May 2012
Format: Audio CD
Sarah Joyce has a lovely voice. No doubt about it. Her sophomore offering
'Boys Don't Cry', however, is a risky proposition all-things-told. An album
of covers for her second outing may possibly alienate some of the fans who
gave such a big thumbs-up to her unimpeachable debut 'Seasons Of My Soul'
but as it happens the sixteen tracks in this collection win through by virtue
of her easy, relaxed delivery and flawless interpretations. It's easy
listening in the nicest possible way. Her London gig at St James church
last week also proved that, live, she is a personable and confident
performer too. Comparisons with Karen Carpenter continue to stalk her
like a shadow (no bad thing in my view) but beyond this Ms Joyce
is asserting her own position as one of the finest new singers currently
working within our shores. Take a song like Isaac Hayes' bluesy 'Soulsville';
her rendition proves that she has a capacity for real soul. She glides
through the number with ease, supported by some cracking gospel backing
vocals and wonderfully restrained playing from her sympathetic instrumental
ensemble. Her take on Hall and Oates 'Sara Smile', too, is a complete joy.
Townes Van Zandt's 'Flying Shoes' gets a dusting down and comes up shining
like a new silver sixpence and opening track 'P.F.Sloan' by Jimmy Webb will
melt your heart if you let it. On the down side Gilbert O'Sullivan's 'We Will'
requires an effort of will to see beyond its composer's schmaltzy sentiment.
On the other hand, 'It Could Be The First Day' by Richie Havens positively
glows with warmly articulated and richly realised emotion. A real treasure.

Producer Steve Brown does a grand job at the desk from top to tail.
Read more ›
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6 of 6 people found the following review helpful By Martin Fielding on 4 Jun 2012
Format: Audio CD Verified Purchase
There will be no arguments from me about the quality of Rumer's song selections, all from male singer songwriters of the 70s and many neglected for far too long, for example, Clifford T Ward's emotional Home Thoughts From Abroad. My problem with the album is that it makes me want to go back to John Oates' original guitar intro to Sarah Smile or to hear the strings coming in on A Man Needs A Maid rather than listen to Rumer's versions. So by all means buy this as sort of sampler of 70s songwriters, but be prepared to be led elsewhere.
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5 of 5 people found the following review helpful By D. A. Vall-lloveras on 4 Jun 2012
Format: Audio CD Verified Purchase
I don't know exactly how to define what it is, but listening to this album/CD just made me feel so good!! It could be in how relaxed yet confidently Rumer interprets these songs and/or has managed to channel the best parts of Joni Mitchell, Dusty Springfield, and even Karen Carpenter and woven them into a wonderfully nuanced vocal tapestry. Her first album was great, but this album is, in almost perfect balance, a youthful twenty-something singing as if she was the being of an old soul...Adele may be the "Big Buzz", but Rumer is the real treasure... Just listen...
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12 of 13 people found the following review helpful By P. Tornbohm on 31 May 2012
Format: Audio CD
From the heart-on-sleeve sentiments of "Home Thoughts from Abroad" to the intensely existential "Flyin' Shoes", "Boy's Don't Cry" selects a range of emotional songs from 1970s male songwriters, whilst also replaying the contrasting themes of the era. Jimmy Webb's "P.F.Sloan" mourns the absence of a 60s spokesman who prophesied the "Eve of Destruction", his vacancy a reflection of the failure of hippies to change the world. Did the 70s represent the arrival of that destruction with the continuing Vietnam war and republican Nixon in office? Isaac Hayes' "Soulsville" documents economic deprivation in black ghettos, whilst "Soul Rebel" positions Bob Marley as a figure of social conscience. Elsewhere, the concerns are more personal or intimate, such as Stephen Bishop and Paul Williams delivering romantic ballads, a mainstay of the decade. Less expected is the MOR conservatism of Gilbert O' Sullivan's "We Will". Gilbert's boy-next-door image contrasted sharply with rock's rebel image, a contrast he reinforced through Hallmark card-like odes to babysitting, family get-togethers and objections to women's lib. By placing O'Sullivan's (then-)popular brand of sing-a-long tomfoolery alongside Neil Young, Rumer presents a balanced return to the 70s, before rock history is rewritten by the guardians of hip.
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