If I was to create a tag for this product, it would definitely be 'fairy stories'. After moderately liking 'From Somalia With Love', I found 'Boy vs. Girl' a teensy bit predictable and saccharine.
Other reviews have described the story line, so I won't bother. I will start by saying how from the second page of the story, it was blatantly obvious that the 'heroine' of the story, Farhana, was going to embrace the concept of hijab wholeheartedly, in fact I was surprised that the rest of the female 'cast' - her family members who were all so vehemently opposed to hijab - didn't take it up with gusto thanks to the 'spiritual enlightenment' Farhana receives during the month of Ramadan.
Other characters including Faraz, the would-be rudeboy with a burgeoning emotional soft centre, Shazia the 'oppressed' Muslim school girl with a religiously conservative father, and Robina the Muslim 'It' girl were all shamelessly stereotypical. And it's with regards to characters that Na'ima does once again what is quickly becoming her trademark; injecting one of her characters with a rather heavy dose of herself (as gleaned from her other publications). 'Najma' the bouncy, articulate former party girl with the first class honours degree gone all 'pious' and sporting niqaab, jilbaab and determined to save the young Muslims of Britain from the fitna of Western 'corruption', takes over from where 'Umm Abdullah' left off in 'From Somalia With Love', except that her role is less of a sideline this time round.
To be fair, there are some interesting preconceptions that are challenged here, namely that of Pakistani reluctance to marry other nationalities/races, Asian perceptions of how they feel the majority perceives them, double standards as regards gender behaviour and expectations within the Pakistani community and how they sometimes view/treat non-Muslims/Whites (especially women). This however is a subject big enough to fill a much larger book but she does at least recognise and explore, however briefly, these ideas.
Others have commented on the slow beginning of the book but for me this was the most enjoyable part. The complex build-up of events was alright-ish, but the phrase 'deus ex machina' was just made for the climax of events. I won't spoil the ending for you, but let's just say that predictably, everything works out alright in the end.
Highly sugary and predictable in parts (especially where Farhana is concerned) with an 'all lived happily ever after' ending, I guess for the average teenage girl it's slightly more highbrow than Mills and Boon.