THE LACK of a new U2 long-player designated 2008's re-mastered, reissued first three albums of their oeuvre, not just as summer stop-gaps for serious fans, as now the target for new year consumers, flush with Christmas money and record store vouchers.
Although it's hard to believe, there was a time when U2's peers weren't Oasis, R.E.M. or the Stones; The Blades and Protex featured among their contemporaries as Dublin's finest debuted amidst the Mod revival and where Blondie, Talking Heads and The Clash were expected to clean-up the decade. Boy is testimony to their longevity and to how relevant they sounded in 1980. As those latter artists got high on `experimentation', U2 were in the vanguard of post-Punk and the sad beauty of things like The Ocean threatened to mask the sheer innocence and naivety, not just of the lyrics but the sonic landscapes of I Will Follow and Out Of Control. Re-mastered, they yield a new freshness as four teenagers grapple with adolescent feelings towards relationships, spirituality and adult life.
CONTAINING the most interesting Bonus-CD of the three, there's 1978's Street Missions - a song I'd only heard previous on a rare, bootleg tape.
JOHN CHEEK