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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Sittin' Here | 4:05 | £0.79 | ||
| Play | 2. Stop Dat | 3:40 | £0.79 | ||
| Play | 3. I Luv U | 4:05 | £0.79 | ||
| Play | 4. Brand New Day | 4:00 | £0.79 | ||
| Play | 5. 2 Far | 3:07 | £0.79 | ||
| Play | 6. Fix Up, Look Sharp | 3:44 | £0.79 | ||
| Play | 7. Cut 'em Off | 3:53 | £0.79 | ||
| Play | 8. Hold Ya Mouf (Feat. God's Gift) | 2:55 | £0.79 | ||
| Play | 9. Round We Go (Ain't No Love) | 4:13 | £0.79 | ||
| Play | 10. Jus' A Rascal | 3:39 | £0.79 | ||
| Play | 11. Wot U On? | 4:50 | £0.79 | ||
| Play | 12. Jezebel | 3:36 | £0.79 | ||
| Play | 13. Seems 2 Be | 3:46 | £0.79 | ||
| Play | 14. Live O | 3:35 | £0.79 | ||
| Play | 15. Do It! | 4:06 | £0.79 |
Product details
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This is a far darker proposition than ‘Original Pirate Material’ though. Dizzee sees himself as an outsider; the opening track makes this abundantly clear. On the opening line of the opening track, ‘Sittin Here’ Dizzee tells us, “I’m sitting here, I ain’t saying much, I just think / and my eyes don’t move left or right, they just blink.” For 18 years, Mills sounds remarkably mature, and sounds almost like an elder statesman of the streets when he whispers memories of playing football in the streets, before he yields to the feeling that there will be, “no positive change.” This feeling of hopelessness rears its ugly head again on ‘Brand New Day’. Over a dizzying wind chime sample, Dizzee reminisces, “We used to fight with kids from other estates / now eight millimetres settle debates.”
Though just shy of an hour in length, Dizzee manages to cram in a huge assortment of topics. Besides the tales of catching and delivering beatings, the inflammatory single ‘I Luv U’ is a breathtaking synopsis of a young couples and teenage pregnancies (“Fifteen? She's underage!). This theme is revisited on ‘Round We Go’ – a tale of an endless cycle of loveless sex told by a narrator who has learned his lesson.
Elsewhere ‘Fix Up, Look Sharp’ with its pounding drum, Billy Squier sample and eardrum-destroying bassline is an immense proposition. Dizzee sounds almost demented as he spits the lyrics. It isn’t the only track that defies sonic definition. ‘Jus A Rascal’ has the most bizarre operatic chorus ever heard, which is totally at odds with the light speed rhymes Dizzee spits on the verses.
Apologies for the seemingly constant Streets comparisons, but ‘Original Pirate Material’ and ‘Boy In Da Corner’ share the fact that they are the two best albums to come out of the UK in a long, long time. With ‘Boy In Da Corner’, Dizzee Rascal has joint the likes of The Streets and Roots Manuva as urban British artists with something interesting to say, besides American hip hop cliché. So what is it? Garage? Hip Hop? Whatever genre you choose to pigeonhole this album in, I’ll choose to call it one of the best albums of the year.
Boy In Da Corner, from start to finish, is a great example of how the British music industry is evolving. the only question left is, how is Dizzee Rascal going to top this nex time round?
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