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Album Savings: £9.48 compared to buying all songs
- Original Release Date: 23 April 2001
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
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| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| Play | 1. Répons (1981 - 1984) - Introduction | Ensemble InterContemporain | 6:23 | £0.79 | ||
| Play | 2. Répons (1981 - 1984) - Section 1 | Ensemble InterContemporain | 2:58 | £0.79 | ||
| Play | 3. Répons (1981 - 1984) - Section 2 | Ensemble InterContemporain | 2:04 | £0.79 | ||
| Play | 4. Répons (1981 - 1984) - Section 3 | Ensemble InterContemporain | 2:23 | £0.79 | ||
| Play | 5. Répons (1981 - 1984) - Section 4 | Ensemble InterContemporain | 5:39 | £0.79 | ||
| Play | 6. Répons (1981 - 1984) - Section 5 | Ensemble InterContemporain | 3:58 | £0.79 | ||
| Play | 7. Répons (1981 - 1984) - Section 6 | Ensemble InterContemporain | 5:23 | £0.79 | ||
| Play | 8. Répons (1981 - 1984) - Section 7 | Ensemble InterContemporain | 5:52 | £0.79 | ||
| Play | 9. Répons (1981 - 1984) - Section 8 | Ensemble InterContemporain | 3:11 | £0.79 | ||
| Play | 10. Répons (1981 - 1984) - Coda | Ensemble InterContemporain | 4:29 | £0.79 | ||
| Play | 11. Dialogue de l'ombre double (1985) - Sigle initial | Alain Damiens | 1:17 | £0.79 | ||
| Play | 12. Dialogue de l'ombre double (1985) - Strophe I | Alain Damiens | 2:03 | £0.79 | ||
| Play | 13. Dialogue de l'ombre double (1985) - Transition I à II | Alain Damiens | 1:01 | £0.79 | ||
| Play | 14. Dialogue de l'ombre double (1985) - Strophe II | Alain Damiens | 1:25 | £0.79 | ||
| Play | 15. Dialogue de l'ombre double (1985) - Transition II à III | Alain Damiens | 1:43 | £0.79 | ||
| Play | 16. Dialogue de l'ombre double (1985) - Strophe III | Alain Damiens | 1:22 | £0.79 | ||
| Play | 17. Dialogue de l'ombre double (1985) - Transition III à IV | Alain Damiens | 0:50 | £0.39 | ||
| Play | 18. Dialogue de l'ombre double (1985) - Strophe IV | Alain Damiens | 1:53 | £0.79 | ||
| Play | 19. Dialogue de l'ombre double (1985) - Transition IV à V | Alain Damiens | 0:26 | £0.39 | ||
| Play | 20. Dialogue de l'ombre double (1985) - Strophe V | Alain Damiens | 1:07 | £0.79 | ||
| Play | 21. Dialogue de l'ombre double (1985) - Transition V à VI | Alain Damiens | 0:44 | £0.39 | ||
| Play | 22. Dialogue de l'ombre double (1985) - Strophe VI | Alain Damiens | 1:36 | £0.79 | ||
| Play | 23. Dialogue de l'ombre double (1985) - Sigle final | Alain Damiens | 2:54 | £0.79 |
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Customer Reviews
Most Helpful Customer Reviews
18 of 18 people found the following review helpful
Format:Audio CD
This is truely one of the greatest musical events of the last century. Here we have Boulez at his most openly seductive and communicative: crystalline textures constantly exploding into shimmering systems of trills and heterophonic decorations. As always with Boulez the background harmonic structures are of the most refined and beautiful, we are party to the composer's unparralled imagination as he proliferates his raw materials into a profound whole. Repons is also a technical tour-de-force, the legacy of Boulez's computerised reasearch submerine that is IRCAM. For those who believe that modern music is all about horrible grating and squeaking noises then this is surely the record that disproves it. An absolutely stunning, beautiful masterpiece of sound and nuance. highly recomended.
2 of 2 people found the following review helpful
Format:Audio CD
The most striking aspect of the works on this disk is -contrary to contemporary/modern music's reputation as difficult- their immediate sonic attractiveness, the sensuous (and, as Boulez himself would probably describe it, 'seductive') appeal. So, for example, Répons has sections nicknamed 'Scriabin' and 'Lulu' -the latter obviously after Berg's opera- two composers known for their gorgeousness. This is not to imply any lack of rigor, for this music still yields plenty of pleasure after many listens. Indeed, especially Répons warrants a effort on behalf of the listener, since it's quite intense and Boulez's conception of form as an ongoing spiral constantly echoing itself can be hard to grasp. In addition to the previously mentioned composers, there's also a Balinese section; the piece is positively imbued with the exotic, colourful, interesting and resplendent If you like music that has these qualities, this is an absolute necessity.
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