Having been listening recently to my 1999 (Joe Gastwirt) digitally remastered edition, I found myself wishing for just a little better in the sound stakes, notably stronger and better defined bass and a little less congestion in the midrange. So it was by an interesting quirk of chance that I looked at a copy in my local record store and noted that on the back it said "Remastered (2006) by Tom Scholz, Bill Ryan and Toby Mountain". Hmmm. It was cheap too so, as it was a nice day, I thought what the heck and bought it (for the third time on CD). And yes, it does address those minor niggles mentioned earlier, even if an original vinyl in mint condition on a top notch analogue rig (which I never quite got round to owning before, for all the usual reasons, defecting to CD) probably sounds even better still.
As far as I can make out, the reissue listed here isn't the 2006 remaster (the sticker on the front credits only Tom Scholz as having done the remastering) and, though the 1999 remaster is pretty good, it isn't quite as good as the very latest one so, if you're thinking of buying a copy, the 2006 remaster is the one to seek out. This may be it, but I'm not sure. The number of the 2006 remaster is 88697184002, so that's the one to go for.
The jewel case booklet is interestingly informative, not least because it indicates that on all but three tracks, Tom Scholz played and recorded all the instruments (guitars, bass and organ), other than the drums, in what he describes as his home-brew basement recording studio. Putting it all together satisfactorily was a long and painstaking process. All the vocals were done by (the now late) Brad Delp, whilst all the drum parts were played by Sib Hashian (except for Jim Masdea on Rock & Roll Band). Fran Sheehan played bass on only two tracks and Barry Goudreau played guitar on only three, presumably those recorded at Capitol Studios and The Record Plant in Hollywood. The record company, once a deal was finally offered, wanted the whole lot redone in LA, but Tom Scholz demurred and ultimately got his way. His basement tapes really were that good. I never knew that.
Those points aside, I'm happy to agree with all the other very positive reviews of this milestone rock album, arriving as it did at a somewhat uncertain time for the music scene, and also that Tom Scholz never managed to equal it on any of the band's subsequent albums. It is a classic and now, with the benefit of the latest remastering project, better than ever.