Born On A Pirate Ship is to my mind as good as BNL's five star debut effort Gordon. Michael Phillip Wojewoda returns again for production duties and recaptures the band's trademark quirkiness to brilliant effect.
The band were in a period of transition around the making of this album. Band member Andy Creeggan had left and Kevin Hearn had yet to be signed up as his replacement. This reduction to their ranks does them no immediate harm though. Jim, Steven, and even Tyler take up piano duties on various songs...
In fact you get the impression that the band were encouraged to experiment and collobrate as much as possible on this record as the sleeve notes will testify. There are numerous musicians and instruments credited including harmonica, flute, cello, violin, saxophone, trombone, dobro, and even a Fisher Price xylophone for good measure.
Beneath the catchy pop tunes are some of BNL's darkest lyrics to date with references to depression, stalking, pyromania, prostitution, deception and isolation. This cynical edge gives Born On A Pirate Ship a lot more bite than Maybe You Should Drive, and sets it apart as the world-weary older brother of Gordon.
Perhaps the biggest revelation though is the emegergence of Jim Creeggan as a songwriter in his own right. Two of his self-penned tunes appear on the record - 'Spider In My Room' and 'In The Drink' - and stand up happily alongside the high standards set already by Page and Robertson's songwriting partnership.
It's hard to pick out highlights from the album because it is genuinely good and consistent all the way through. The obvious choices would be the hits 'Shoe Box' and 'The Old Apartment', but there is something worthwhile to find in each and every track.
Buy this album to experience BNL at the height of their powers in the mid-90's, a pinnacle they have not managed to equal since...