Johnny Thunders was a one-off. Achieving recognition with The New York Dolls, and then with The Heartbreakers, he was one of the few musicians of the time who went down the route, musically first pioneered by The Sex Pistols and then perfected by The Ramones. Exciting, strong solid down rhythm, earthy delivery and above all it made the hairs stand up on the back of your neck! Its strength was in its simplicity, forsaking any 'frills' and 'extras' that would detract from its mighty resonant sensuality.
He chose a lifestyle mired in self-inflicted chaos which, unfortunately led to his premature demise in 1991, at the age of 38, when he had barely started to perpetuate his unique style of music which is referred to by the 'musical intelligentsa' as "protopunk" whatever that is supposed to mean!
Johnny had an unruly, rebellious streak and did not enjoy the discipline inherent with studio recording which necessitated a great deal of the content on his records being taken from recordings of live performances, resulting in 'non-too-high' audio quality generally on all of his work. This applies to this album 'Born To Lose' although there are enough reasonable quality tracks to represent most of his best offerings. Personal favourites? "Pipeline", a surf-rock instrumental originally by The Chantays, "Too Much Monkey Business", Johnny's mix of "Pills" by Chuck Berry and "Too much Monkey Business" by Bo Diddley, and, penned under his real name John Genzale Jr., "Born To Loose."
He performed in Tokyo with The Heartbreakers and made a lasting impression, setting the trend of a style of guitar delivery much followed particularly inspiring Girl Punk Rock Bands which continues today. There is a very good CD called "The Valley Of The Tokyo Dolls", a compilation of Japanese Punk Rockers doing a 'Tribute To Johnny Thunders' - amazing!
Another track considered by many to be his signature song, said to be about his heroin addiction "You Can't Put Your Arms Around A Memory", contains a line that encapsulates my regret for the early despatch of this most talented and significant musician, it goes "I wanna put my arms around your memory."
This album is a showcase for his distinct style and talents - simple, direct and strident. His presence is sorely missed but his influence through his recorded work lives on.