"The Borgias" is not just another historical drama and while it may be chatty or slow at times, its opulent production perfectly captures the flamboyance of the Renaissance period while its stellar regular and guest cast breathe life into the characters, most of whom have to share screentime due to the crowded ensemble and the complexity of the political-social-financial-religious state of the times.
Scripts by Neil Jordan are not flawlessly accurate but still provide a unique peek to the lives of the characters without passing judgement or reproducing the most common salacious rumours about the notorious dynasty. Characters are rendered sympathetic and even relatable even though the show retains an entertainingly scathing, sarcastic, ironic and cartoony style that aims at the hypocricy and self-righteousness of the Church while successfully avoiding the usual soap-opera shenanigans.
When it needs to be dark, the show doesn't shy away from it and neither does it apologise, with gore and nudity being treated with a tasteful subtlety, measure and understatement to respect the viewer and elevate it above the usual "sex and blood" treatment of most -if not all- historical epics.
The cast list speaks for itself: the inimitable Jeremy Irons leads as Rodrigo Borgia a team consisting of brilliant newcomer Francois Arnaud as Cesare (who carries the show more than a few times), the lovely Holliday Grainger as the alternatively innocent and angelic/calculating and devious Lucrezia Borgia, the reliable David Oakes as the messy Juan along with excellent veterans such as Joanne Whalley, Simon McBurney, Derek Jacobi, Steven Berkoff, Gina McKee, Ronan Vibert, Michel Muller and featuring groundbreaking performances from Colm Feore as Borgia nemesis, Della Rovere, and Sean Harris as the family's hired killer, Micheletto.