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Bonfires on the Heath
 
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Bonfires on the Heath [CD]

Clientele, amor de dias Audio CD
5.0 out of 5 stars  See all reviews (4 customer reviews)
Price: £11.30 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Product details

  • Audio CD (14 Oct 2009)
  • Number of Discs: 1
  • Format: CD
  • Label: Pointy
  • ASIN: B002Q1O3IG
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 99,246 in Music (See Top 100 in Music)

Product Description

BBC Review

With the charts now almost exclusively dominated by talent show winners, anodyne RnB and a seemingly inexhaustible conveyor belt of interchangeable and irritating girl singers, it’s probably inevitable that a group like London’s The Clientele are destined to remain undeservedly obscure. Yet those prepared to seek them out will discover some of the most heartbreakingly lovely, perfectly formed music to be recorded anywhere over the past decade.

The select few already in on the secret will know what to expect from fourth album proper Bonfires on the Heath, but for the uninitiated, imagine if you will a soundtrack for being sat alone in a room at night savouring a glass of fine wine, with the soft light of the moon glowing over the empty street outside, feeling mellow but not melancholy, nostalgic but not neurotic. Think of Belle and Sebastian without the bouts of twee smugness, the sublimely orchestrated pastoral Englishness of Nick Drake and the dreamlike haziness of Felt and Mazzy Star, with a dash of Love-style mariachi horns thrown in for good measure, and you will have some idea of the ingredients that make The Clientele so special.

Bonfires... retains all the essential elements of their previous work, although they seem to be slowly introducing more up-tempo tracks to vary their mood a little, notably jaunty opener I Wonder Who We Are and the driving Sketch, which is as close as Alasdair MacLean and his band mates get to rocking out. But it’s tracks three to five which really showcase The Clientele at their mesmerising best. Harvest Time has the kind of soaring harmonies that made Fleet Foxes the darlings of the music press, Never Anyone But You melds jangling guitars, organ and sweeping strings so beautifully it almost hurts, and Jennifer and Jane’s hushed vocals, hypnotic riff and swooning brass slowly cocoon the listener in an irresistibly gorgeous blanket of warmth.

At moments like these, The Clientele transport the listener into their own lovingly constructed private world with an effortless grace few artists can match. By buying this album, you will be doing your bit to help maintain one of Britain’s most unheralded but genuine musical treasures. --Chris White

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Most Helpful Customer Reviews
4 of 4 people found the following review helpful
By russell clarke TOP 500 REVIEWER VINE™ VOICE
Format:Audio CD
And there I was thinking that the classic English pop album in a all it's fey and crepuscular polite glory was a dying art. Then I happened upon Bonfires On The Heath ( great English evocative title by the way ) by The Clientele , a band who I had previously heard of but never had anything to do with.
The songs ,all sung by Alasdair MacLean in a high slightly tremulous voice ,are impeccably arranged slightly genteel and yet for the most part have an assiduous melodic knack and wistful regretful character. Glistening guitars are augmented by mannered piano , gracious bass and whispery percussion .There are occasional interludes of trumpet and cadenced strings. Its all impeccably tasteful but quite superb.
The title track has a line about "Late October sunlight in the wood " and beautifully encinves this with gleaming rays of slide guitar and twinkling notes like dust caught in the bright rays . "Never Anyone But You " is the sort of affecting eloquent love song -"There's a phantom in my breath / There's a phantom in the gaps between my bones / I can only see you "- dullards like Coldplay & Snow Patrol would love to be able to write but can't you see because.....well... they are dullards.
Opening track "I Wonder Who We Are " is a joyous traipse through pops effervescing possibilities. There is more effulgent misfortune on "Jennifer and Julia " while the horns get an enjoyable breezy workout on "Share The Night " and I Know I Will See Your Face " . "Sketch " ups the ante for 91 seconds of rousing six stringed escapism. " Graven Wood " is a wonderful miasmic pall of studied notes and drones while "Harvest Time " is just marvellously evocative of a better purer time , at one with the season as the "Scarecrow watches the verges of light " and "Bats from the eaves go shivering by " .
Every year an album comes along late in the year that blows me away .This year it,s Bonfires On The Heath .An album that reminds me of bands like The Orchids and Television Personalities but slyly brings to mind the evocative Englishness of XTC at their more pastoral . It, quite fantastic it really is. Like the line on "Harvest Time" goes- "Everything here has a time and a place " .
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3 of 3 people found the following review helpful
Magic is here 10 Dec 2009
By DBS72
Format:Audio CD
I was expecting that again, with The Clientele, an old habitual phenomena would repeat in my life as a pop/rock listener. That is: a band makes a record that I simply fall in love with ("The Violet Hour"), and after that it's all inexplicably downward. I've been waiting for every new release with trepidation, but neither "Strange Geometry" nor "God Save The Clientele" really convinced me, despite the critical acclaim they received. It seemed like they had lost one of their most vital elements, some sort of magic that cannot come only from the sum of different parts (drenching reverb+Felt guitars/sixties melodies and vintage organs + graceful string arrangements)... Well, luckily that seemingly karmic pattern got shattered with this wonderful release. Every song, from beginning to end, is a jewel of subtle, layered and minimal arrangements, the instruments are played softly, as in a light state of trance, the bass is a serpentine road that helps you travel through these songs-like-old-cities, like memories of old cities, the strings are like silhouettes rising, like the hills in the distance, Alasdair MacLean's voice/whisper is one of the few whispered voices in alt-pop that is utterly recognizable, because we know he's telling his habitual reveries, lost somewhere out of time. Plus, here we have some really beautiful trumpet arrangements, which in this context directly recall "Forever Changes" (by the way, another MacLean in there!), Spanish/Jazzy and Bossa guitars, and a delicious cover of a song ("Tonight") by an obscure Swedish band called Evergreen Days (does their name come from the Felt song Evergreen Dazed?).. And much more... and yes, the magic is here, again. Thank you for this record, can't stop listening to it.
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5 of 6 people found the following review helpful
By a23
Format:Audio CD
I make this the fourth "proper" Clientele album and have to say, my favourite to date. Alasdair's honeyed tones and reverb laden guitar is instantly recognizable, the songs are crafted gems, but it's the arrangements of strings, brass etc that really make this record shine to my ears. The central melodies are enhanced - simply taken to a new level. I'd consider it the most consistently good record they've released. Nice to hear "Graven Wood" getting an update too.
This was the US release which came out in early October 09 (presumably cos the Americans rate this band more highly than we do here) but the UK release is out on Pointy this week. And, if you like, seek out Alasdair's solo set on WMFU from Oct 28th.
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