After a lamentable descent into self-parody that started with "Diamonds Are Forever", 1987's "The Living Daylights" re-established Bond as a credible film franchise. The inspired casting (third time lucky for producer Cubby Broccoli) of talented actor Timothy Dalton pays off from the start. He establishes himself as Bond with a single look in the teasing pre-title sequence and, unlike his predecessors, is never anything other than wholly believable in the part.
Dalton's Bond ventures into the world of the grubby villains - motivated by greed rather than megalomania. Arms dealers and drug barons become the foils to Dalton's sometimes morally ambiguous Bond, which gives his films a more "real" edge. In "The Living Daylights", Joe Don Baker and Jeroen Krabbe are wonderfully entertaining as the baddies, and Dalton's assured central performance, with plenty of spectacle, makes for the best Bond movie in years, and one of the very best of all time.
Dalton's Bond has a wry, dry humour of his own, and thankfully for the most part eschews the superficially clever one-liners his predecessors were saddled with and the oft-parodied gadgetry that were used as "get out of jail free" cards by the screenwriters. This Bond relies on his wits to succeed. Such as shame Dalton only made two, but he gets off to a cracking start.