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Jones' picture of a world falling apart at the seams--with its worryingly coherent portrayal of a competent dictator--is one of the more impressive things she has done; and Fiorinda with her conscience and angst-ridden past is a passionately lovable heroine. --Roz Kaveney --This text refers to an out of print or unavailable edition of this title.
The real strengths of the book are the writing, which is magnificent, and the characterisation of the three principal actors, Ax, Fiorinda and Sage Pender, which is deep, subtle and brilliantly drawn. (Though I do think the portait of Ax the strategist - super-competent, driven, frighteningly prepared to sacrifice anything for the greater good - needs the balance that we get with Ax the lover (decidedly more human, actually *making mistakes*) in Castles.) The evocation of England - people, history, landscape and myth - is also beautifully done. Having been raised in Scotland, I was suitably flattered that my adopted country copes much better with Jones' set of future disasters than England does - but in all honesty I think that's a literary device to keep the focus tight.
Okay, so I do have a few quibbles, mainly with the basic scene-set, which seems curiously old-fashioned: I'm not convinced that rock music has the sort of high profile these days that it has to have for Bold As Love to work, and would a techno-wizard whose performance consists of computer imagery, a seriously acrobatic stage act, and "vile noises" really idolise - and take his stage name from - the Grateful Dead? And comment, not criticism: for a Clarke award winner, this has a rather tangential relationship with science fiction (if Iain Banks had written it, I think it would have been a black-and-white-cover and no middle initial job).
Summary: good plot, fine writing, engaging characters. I've put a few hatchet-job reviews on this site: it's nice to be able to redress the balance with a wholehearted recommendation!
Quite rightly, it has won the 2002 Arthur C. Clarke Award. Recommended to all readers who love a novel with: ingenuity, originality, readability, great one-liners, oddness, social comment, horrible bits (thankfully not too many, but the author is a bit of a social realist, if I could borrow that term from Blackadder), strange bits, moving bits... I could go on, but there really are alots of bits to this multi-faceted novel.
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