"Dance" is a pretty strong word for this, but who's going to call it NuChillOut? ;-) naive female vocals, odd sounds and occasional clips of studio dialogue add a charming homemade feel to what is overall a very classy production. Even when the housey tempos and patterns kick in, clicky found sounds and kitchen drawer percussion keep the vibe more spacious. And over half the tracks, you'd no way ever dance to . they are full-on slow, subdued and ambient to the point of being . . . ponderous. lovely stand-up bass and real pianos lend a hyper-real smooth jazziness which - unless there is something wrong with my system - he then slurs and saturates, which seems kind of contrived to me. The musical ideas are excellent, but the instrumentation, "found" sounds, and avant garde audio-dogma-style manifesto I just read about above, are not fully integrated - contributing more conceptually than aesthetically i reckon. ahem. (The first track is mildly like Diana Krall with someone slurping and rattling a toaster in the background. you dig?) but hey, it's his album. In a year it might sound gimmicky - or timeless. above all this is MUSIC with rhythms, melodies and chords that will not disappoint. a crisp fresh fusion of dance, jazz, and pop with a hint Squarepusher / Aphex -type trickery without which it would actually be traditionally good anyway. recommended.