Fans of Marley and rock photography alike will want to add this lavish hardback to their Christmas lists this year. Including many rare and unpublished photos of Marley performing and relaxing at the height of his fame, the book also collects Gottlieb's intimate portraits of other reggae acts of the era, such as Toots and the Maytals, Burning Spear and Peter Tosh.
Many of the best pictures are candid, off-guard shots, but even the posed shots show Marley and his contemporaries at ease with their photographer. Unlike much rock photography that seeks to elevate its subjects, these are photos of real people who just happen to be the defining talents of their generation. Looking through them is like popping round for a friendly cuppa and a cheeky spliff.
Most of the pictures were shot in black and white, which gives them a timeless quality, but also emphasises the vibrancy of the colour shots. Gottlieb's camera truly captures the intensity of the era in colour, and her selective use of it only heightens its impact.
With such rich source material, many picture books would be satisfied to skimp on text, but this volume adds testimony from the people who were there. Marley expert Roger Steffens contributes an illuminating essay on Gottlieb and `the golden age of reggae' that gives the book its subtitle, while Cameron Crowe's foreword is touching and nostalgic. Gottlieb's husband, the journalist Jeff Walker, provides the bulk of the text, capturing in words the times and places that his partner saw through her camera.
With such a treasure trove of personalities and images to explore, the occasional typesetting snafu can be overlooked (well, except for the unforgivable misspelling of Charles Shaar Murray). This is a gorgeous book that will hopefully lead to more of its kind.