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B.B. King produced this album himself, for the first time in his 50-year career, and the result is pretty good, although this album is somewhat slicker and more polished than I would have liked (but then again, King never aspired to be Muddy Waters).
Among the best songs are the slow, soulful "I'll Survive" (definitely NOT the Gloria Gaynor single, but rather a discreet rip-off of Tampa Red's "It Hurts Me Too"), the swinging "Shake It Up And Go" (which is actually a slightly altered take on "Bottle Up And Go"), the funky instrumental "If That Ain't It I Quit", and the slightly jazzy "Good Man Gone Bad", which features some excellent piano playing by keyboardist James Toney.
I would certainly have preferred a bit more grit and a little less of the very synthetic sounding organ and the equally synthetic string orchestra, and the many slow songs all sound more or less alike, but that's contemporary blues for you.
If your idea of what electric blues should sound like is Howlin' Wolf and Elmore James, stay FAR away from this album.
But if you prefer your blues from the decanter rather than the bottle, you'll probably like it just fine.
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