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3 of 3 people found the following review helpful:
3.0 out of 5 stars
The title gives it away: Jack gets his flag, 4 Nov 1999
If you have not read Master and Commander, O'Brian's first novel in the Aubrey/Maturin sequence, a fresh and surprising mix of naval engagement, medical practice, fine observations, and comic situations, which seemed to dart out in all directions, and assault the senses as much as any novel can, describing fear and bloodlust, famine and feasts, alongside musical appreciation, and an extensive knowledge of natural history, then I envy you , for it is a treat, as are its many sequels. Some may not share O'Brian's taste for the very, very long opening sentence, and others may find his flair for detail a little too rich. Whatever, the twentieth instalment has arrived, and if his readerrs are numerically few, they make up for it in loyalty. The loyalty is hard earned for the stories handle so many characters, so many changes of pace, or should we say, tack, so well. Jack and Stephen often share a cause, and their lives would be incomplete without each other. The friendship is viewed from both sides; sides which combine admiration and respect and a shared love of music with little understanding or much in common. This could be a description of a marriage and few writers do it better. Only dedicated fans are likely to have read this far, and are only reading as a poor substitute until the real dope arrives. The dust jacket of the present volume lists the familiar strengths: "There is brilliant narrative technique; there is richness and variety of characterisation; there is action..." All true, O'Brian's sesnse of craft is still fine. LIke the crew of the Ringle, under William Reade, who is not confident of his sermonising skills, and so sticks to the Articles of War on Sundays, the audience is in for more of the same. Sadly, O'Brian's spark is diminished and for some of the important action, such as a seal cull, and Jack's growing petulance at his continuing staton as a mere post captain, the prosing is delegated to Stephen. In earlier volumes with a greater sense of pace, and, indeed more story to tell, this was an admirable economy, giving insight into Stephen while pushing the events forward. Now it just puts distance between the reader and the action. Throughout the nineteen earlier works, O'Brian held off descending into formula. Certain mannerisms became apparent: a generous, tender, or admirable side to a character was discover a page or so before his sudden death; music would be made; Jack's indigestible nautical orations would be interrupted by Stephen's spying some improbable bird. Apart from the last, even these are missing. There is a battle, but Jack is now so experienced and cunning that there is no uncertainty, and no sense of danger. In short, the book is a disappointment. O'Brian has been deservedly compared to Jane Austen, but young love, and youthful hopes are more diverting than old men stubbornly refusing to retire.
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4 of 5 people found the following review helpful:
2.0 out of 5 stars
Not as enjoyable as earlier novels in the series, 27 Jun 2001
By A Customer
I agree to a certain extent with the comments of the other reviewers - the novel does not have the power of earlier books in the series. I found the South American setting rather uninteresting, and somewhat forced, as though the restrictions of the time frame of the series finally caught up with the author. I also missed the genuine humour to be found in the earlier novels. Not for nothing are readers of O'Brian likely to be readers of Wodehouse.
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6 of 8 people found the following review helpful:
5.0 out of 5 stars
First rate, 5 Nov 1999
By A Customer
Apparently I've done a strange thing. Start my life with O'Brian with Blue at the Mizzen. I've asked around and everyone else seems to have read at least 18 other books by the man. For those, like me, who're just starting out, trust in the writing and start at the beginning of the series, for if this book is anything to go by, they're extraordinary. I only got to this book through an Amazon recommendation, having just finished another superb sea faring novel, the Requiem Shark, and I was eager to stay within the bounds of historical fiction. When it's well written, there is nothing finer. Since my introduction to O'Brian, the only criticism I've heard is that he can be quite slow at times, but that's simply not the case with Blue at the Mizzen. I found that it zips along and the two leading characters of Aubrey and Maturin are a considered delight. I think I'm more fond of Maturin, perhaps because of his suffering, perhaps because of his line of work. Nevertheless, the entire book bristles with intelligent dialogues and absorbing adventures. I may have started at the wrong end of the series, but at least I now have months of reading ahead of me.
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