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112 of 117 people found the following review helpful:
1.0 out of 5 stars
Great movie, Horrible DVD., 20 Mar 2005
I should start by saying that I've never paid much attention to talk of good and bad 'prints' of movies, and always regarded it as a bit of movie snobbery. Until now, I've never purchased a DVD that left me seriously unhappy with the quality of the image.
I'm afraid this DVD (by Prism Leisure Corporation) changed all that. Quite simply, it's dreadful. Ok, it's a budget DVD, but frankly, if someone offers you this DVD for *free* you should politely decline.
Blue Velvet is one of my favourite movies. I bought this DVD as an upgrade from my aging VHS version. But after 20 minutes of trying to watch the DVD, I ejected it and went back to my old VHS.
In this version, the colours are washed out and muddy; the contrast is terrible; the image is far from sharp. In the dark scenes (and there are a lot of them) you'll frequently find yourself staring at a black screen. In short, watching this DVD is like seeing the movie on a seriously sick TV.
Really, you should give this a miss. Watch it on tape, or on the (much more expensive) special edition DVD (which I've now discovered is much much better and does the movie justice).
I can't believe that I'm writing a 1-star review of Blue Velvet!!
For the movie, five stars, easily. But because of the quality of this DVD, I'm knocking off four of them (and would knock off all five if I could). The movie is stunning, powerful, harrowing. This DVD is just harrowing. Avoid it like the plague.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Lynch invades your dreams!!!!!!!!!, 17 Aug 2002
By A Customer
I remember my parents watching Twin Peaks when I was little and we had the soundtrack, a haunting, melodious collection of music that had me spellbound when I first heard it. However it wasn't till I was older and saw Blue Velvet that David Lynch began to take over my mind. . . If you've never seen David Lynch this is a good place to start as it has a combination of his trademark obscurity (seen perhaps best in Eraserhead, Lost Highway and Twin Peaks FWWM) and a reasonably linear structure (though not as coherent as The Straight Story), so incorporating some of the finest techniques of his work. The plot is bizarre, complex and perverse leaving unanswered questions and disturbing imagery firmly impressioned on the mind. Blue Velvet creates a remarkably hokey smalltown American town and explores the sinister mechanics behind the seemingly placid facade. No one else can combine tacky diners, convenience stores, picket fences and tweeting robins with the sadomasochistic underworld quite like Lynch can. Watch it and you'll never forget it. Watch any more of his films and you'll never think about cinema the same again!!
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11 of 11 people found the following review helpful:
5.0 out of 5 stars
Dark and dulcet, 8 Aug 2002
In many ways, the opening sequence of Blue Velvet captures perfectly the ironic, slightly sinister but also darkly amusing take on americana which is prevailent in much of Lynch's work. His perspective is undoubtedly a fascinating one, both terrifying and strangely magnetic. As the father collapses to the sounds of fifties pop, its dreamy often delicious melody lulls the viewer, evoking a mood that continues throughout a film where one experiences an almost halluogenic view of the underbelly of an everyday american town. It could be argued that it is Hopper's portrayal of psychotic madman Frank Booth that captures centre stage, and he is without doubt a truly memorable cinematic creation. However, it was the naivety of Kyle MacLaclan's youthful character, combined with Rossellini's interpretation of a tortured but beautiful sexual paradox, both predator and victim which I found most interesting. Their relationship, and the violation of MacLachlan's innocence that it initiates is both startling and frighteningly magnetic. The claustrophobic world of Blue Velvet is somehow liberating, Lynch casts aside the viewer's expectations and perceptions, they are shed much like MacLachlans fragile innocence, his percieved corruption a watershed for the viewer.
There have been some gripes about the technical virtues of the DVD itself, however I had no problems whatsoever. The picture quality was great as was the sound. If you're some kind of DVD anorak [no offence intended] you might find some obscure detail to take issue with; but as far as I could see, the film was in no way impaired.
The film is quite simply brilliant, although its conclusion is perhaps a little too neat. On the whole however, it is a great production and well worth your money. An american film by an american director which could almost be labelled a work of art. You can't proclaim that too often.
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