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Blue Album
 
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Blue Album

18 April 2012 | Format: MP3

£5.99 (VAT included if applicable)
Also available in CD Format
Song Title
Time
Popularity  
30
1
5:48
30
2
5:44
30
3
4:27
30
4
5:08
30
5
7:08
30
6
4:18
30
7
6:30
30
8
4:08
30
9
8:44

Product details

  • Original Release Date: 18 April 2012
  • Release Date: 18 April 2012
  • Label: ACP Recordings Ltd.
  • Copyright: 2012 ACP Recordings Ltd
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 51:55
  • Genres:
  • ASIN: B007W5AW0Y
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (36 customer reviews)
  • Amazon Bestsellers Rank: 23,794 in Albums (See Top 100 in Albums)

Customer Reviews

3.9 out of 5 stars

Most Helpful Customer Reviews

20 of 20 people found the following review helpful By "spiralmuzik" on 26 May 2004
Format: Audio CD
I'll keep it simple; there are few (if any) electronic bands that have been at the top of their game as long as Orbital, and have decided to close the curtains on their career after 15 glorious years with the excellent Blue Album.
As with every Orbital album though, there is the odd clanger (Bath Time, Easy Serv), but the good FAR outweighs the bad on the Blue Album, with the highlights including the paranoid 4/4 acid frenzy of 'Acid Pants', the classic-Orbital-sounding energy of 'You Lot' (featuring a marvellous philosophical rant courtesy of Chris Eccleston), the 6/8 classical splendour of album opener 'Transient', the lazy 'In Sides-esque' head music wonder of 'Lost', and the mother of all album enders with 'One Perfect Sunrise', which comes second only to the Brown Album's epic 'Halcyon'.
Overall, the Blue Album has a real 'thank god its all over' feel, which is understandable given the problems Phil & Paul had with London records had during the making of The Middle Of Nowhere and The Altogether, but this is not a bad thing, as the music is upbeat and really accessable. One of the great things about Orbital through the years is that they rarely sound like anyone else (except the odd New Order-ism, and other parts that remind you of Sasha, Something of a Paradox and FC Kahuna).
Save the two bum tracks, this album is as good as In Sides or The Brown Album. I really hope they will be back, but i'm also happy that they are leaving the dance/electro scene wth a quality album considering they have been a part of it for so long, when the usual case for a dying band is 'death by repetition'. Phil & Paul, We wish you well.
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8 of 8 people found the following review helpful By Craig S on 22 Jun. 2004
Format: Audio CD
As a fan of Orbital from the 'Green' album to this, their final album as a duet, I was, to be quite honest, not expecting much. Over the past 2 albums, I felt that the Hartnoll's seemed to lose their way and focus on creating new sounds and experimenting with techniques... I was very pleasantly surprised! The Blue album is a total return to the stunning form of the boys' green and brown album. Sections of the backing tune to 'Acid Pants' is eerily reminiscent of 'Impact' and 'Lush (Euro Tunnel Disaster)' from the Brown album. The final track, 'One Perfect Sunrise', featuring Lisa Gerrard is a cross-genre collaboration that simply blew me away.
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6 of 6 people found the following review helpful By Mr. Gareth I. Davies VINE VOICE on 22 Jun. 2004
Format: Audio CD Verified Purchase
So, here it is, the lads last album. It's a bit of a "thank you" to the fans kind of deal. They have produced a great album with a return to their early sound but still retaining their perfected production values, sort of a refined rawness if you will. It's just ace really! Hints of their previous best bits but still with their own original flair. It's sad to think this is their last album together. I have enjoyed all of their work, even their recent, less highly regarded albums have still had many tracks/elements that made them worth listening to again and again, especially when compared to some of the dross churned out at the moment. I guess that's the trouble with being dance/rave pioneers. They created their own unique style, perfected/refined it, but then when they had near perfected it people complained they weren't as original as in the early days of rave/dance/electronica. I am sure their future solo projects will always have a hint of ORBITAL, however each brother ends up developing individually. Still, I will miss eagerly waiting for their next album. So long lads! [...]
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5 of 5 people found the following review helpful By the thief of brisco on 9 Jun. 2004
Format: Audio CD
Orbital have not have been considered a cutting edge dance art for some time now. Once universally lauded as perhaps the most innovative electronic band of their genre, time caught up with them on their last album, The Altogether, which was panned by many critics as being a hastily concocted amalgam of throw away tracks and background sounds. The announcement that this offering, the Blue Album, was to be their last, seemed to confirm the suggestions that the band who were once brand leaders in the dance scene had run out of ideas.
Whilst it is not in the league of their mightiest productions such as In Sides and the Brown Album, it does though show a welcome return to some of the form that have made them arguably the finest ambassadors of techno of all time. Tracks such as Pants and Lost encompass a laid back brand of electronica, sounding jovial and moody respectively. You Lot has all the blend of darkness, sinisterness and euphoria that Orbital at their best became so adept at achieving. And to use a familiar sounding ethereal sounding female vocal on One Perfect Sunrise is a fitting end to the career of one of the true greats of dance music. Without major record label backing, The Blue Album may not gain the high chart place that most Orbital albums have, but their farewell performances this summer will remind Phil and Paul Hartnoll how respected and loved they are by their many fans.
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3 of 3 people found the following review helpful By Mr. S. R. Dhain VINE VOICE on 18 Jun. 2004
Format: Audio CD
The brothers Hartnoll decide to bow out on this album, which as a long term fan, leaves me feeling a little bitter-sweet. The reason primarily being that I thought their "brown album" to "middle of nowhere" stuff was just in a outstanding class of their own. The strain obviously started to show on "the altogether", which was at best, average, and a kow-tow to their old record company, before they parted ways with them. However, this self-imprint release leaves me sadly wanting more(hence 4 stars), and makes me wonder why none of the tracks have the epic lengths of yore (none are even touching the 9 minute mark), which really made them stand out in terms of their electronic melding of genres, because sustaining ideas to sometimes 15-plus minutes takes a lot of nerve, and a lot of imaginative arranging (not to mention the techno suss).
"Transient", with it's 6/8 time sig, is a beautiful way in to the album, and most of the other tracks (especially "you lot" "lost" and "bath time")are top notch aural fodder. However, "acid pants",the sparks collaboration, with it's ill fitting sample-&-see approach is bad news, even with a tb303 (sounds like a few supernova patches)burbling away in the background. Perhaps "easy serv" is too easy listening for some, but it still works nonetheless. But "Bath Time" sounds suspiciously like it was written entirely using soft-synths and a laptop, because it lacks that "gut punch" in the lower register, whcih you get from analog synths (even virtual analogs sound a bit meatier), but it's a beautiful twist on the "twinkle twinkle little star" vibe (perhaps Phil Hartnol was listening to gershon kingsley's "music to moog by" at the time?..)
So,even with two slightly weak tracks, I listen to the album regularily for that "wow!
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