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Bloom CD


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Amazon's Beach House Store

Music

Image of album by Beach House

Photos

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Biography

Bloom is the fourth full length album by Baltimore-based Beach House. It builds on 2010s Teen Dream to further develop their distinctive sound yet stands apart as a new piece of work. Bloom is meant to be experienced as an album, a singular, unified vision of the world. The many layers of Bloom are uncomplicated and meticulously constructed to ensure there is no waste. Bloom was recorded in ... Read more in Amazon's Beach House Store

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Product details

  • Audio CD (14 May 2012)
  • Number of Discs: 1
  • Format: CD
  • Label: Bella Union
  • ASIN: B007IRCORK
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (45 customer reviews)
  • Amazon Bestsellers Rank: 46,318 in Music (See Top 100 in Music)

1. Myth
2. Wild
3. Lazuli
4. Other People
5. The Hours
6. Troublemaker
7. New Year
8. Wishes
9. On the Sea
10. Irene

Product Description

Product Description

Fourth studio album by the critically acclaimed dream pop duo. The follow-up to the very positively received 'Teen Dream' (2010), the album debuted at '15 in the UK Albums Chart and includes the song 'Lazuli'.

BBC Review

In one way or another Beach House records have always been about the essence of things. Their self-titled first record was characterised by simplicity: ticking drum machines, keys and electric guitar acted as lone backdrops for deceptively simple pop songs.

Tracks from that record, like Apple Orchard and Tokyo Witch, burned off any possible excesses and let melodies sit just so. On first blush Bloom is striking with its expanse and depth; but even in this more detailed surrounding Beach House are still after the same ideas of economy.

Opener Myth pirouettes on elementary percussion and a sparkling guitar line. A head of steam gathers slowly, becoming more textured and wild by increments. So that when Victoria Legrand finishes up the first chorus, singing "Let you know I'm not the only one," the rug is pulled out and the emptiness is all the more startling.

Even though parts of this song – and others on Bloom – can feel quite free-range, there's a solid construction to the way Beach House unravel such pieces. They tug in just the right directions, which can make for quite a deceptive listen. It's easy to be carried along by Bloom's easy sense of beauty, and much harder to trap exactly what it is that makes the record so charming.

The answer lies in small moments and tectonic rubs: the overlapping vocal at the end of Lazuli; Lagrand sliding The Hours into ecstasy late on; or the weightless guitar interlude in New Year. In truth, there are too many such moments to list, and it's probably more fun to discover them yourself. Those small workings of Bloom might not stick out at first but gently push songs towards blissful resolutions that somehow don't feel manipulative or at all corny. 

It might sound strange but after spending time with the record what Bloom most calls to mind is macro photography. An extreme close-up shot often reveals hidden depths and textures of familiar subjects. So too with Beach House on this record; guitar lines are blown up, Legrand's vocals are heady and intense, while melodies reveal like time-lapse videos.

Once you manage to pull away from Bloom's magnified scenery and consider the record as a whole it's difficult to think of it as anything other than its makers’ best work so far.

--John Aizlewood

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Customer Reviews

4.3 out of 5 stars

Most Helpful Customer Reviews

3 of 3 people found the following review helpful By Kenneth on 20 July 2012
Format: Audio CD
Beach House have just churned out their most loveable album to date with their fourth LP Bloom! i could happily just leave it at that, but you guys probably need something a little bit more convincing to go on i'm sure. Myth and Lazuli are two songs that have been used as bait to reel in potential newcomers with free streams available of them before the albums official release. And it's hard to query their logic, their both stunners featuring glistening keyboards, impassioned singing courtesy of Victoria Legrand and that familarly distinctive sound of Alex Scully's Fender Stratocaster. All in all honesty though i could have just described any of the songs on Bloom as they all feature similar instruments give or take some scintillating percussion. what seperates these wonders is the plethora of inspired melodies each track has to offer combined with the heartfelt and thought provoking lyricism that's also brought to the fore. "What comes after this momentary bliss, the consequence of what you do to me" almost sliced my heart in half when Victoria Legrand romantically bellows this on Myth. And the melodies on Bloom are some of the most tender i've heard since Yo La Tengo's gorgeous And Then Nothing Turned Itself Out.

The revolving riff on "Irene" from 3.30 on follwed by the flurry of cymbal crashes is so transcendentally stunning you'll wish the song goes on for a lot longer then it's 17 minute length (or that they'd filled the silence in between at least). The moaning MY bloody Valentine guitars in "New Year" always get me to, their filled with such nostalgic melancholy.
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10 of 12 people found the following review helpful By Red on Black TOP 50 REVIEWERVINE VOICE on 14 May 2012
Format: Audio CD
How do you follow an album which was a dreamy pop masterwork that single handidly made a lush electronic form of shoegaze music the height of fashion and left a trail of broken hearts from New York to Newquay? It also saw young men (and rather aged males) fall hopelessly in love with the dulcet dones of the sultry chanteuse Victoria Legrand and give fulsome admiration to the musical wonders conjured by Alex Scally from his pole position in Beach House. 2010's opus "Teen Dream" was a wonder indeed and from the minute Legrand crushed you with longing regret of "Walk in the park" or had you singing at the top of your voice to the wonderful distortion of "Norway" you knew you had encountered something very special.

In terms of the Baltimore duo's latest offering its safe to say that if you loved "Teen Dream" the romance is about to be rekindled. There is certainly progression on "Bloom" which makes it a cleaner more pure pop form of music but at the same time this album is certainly the first cousin of "TD" and if you had put the lovely opener "Myth" as the eleventh track on that album frankly no one would notice the joins. It is a scintillating pop song full of huge Legrand choruses and Scally instrumentation which concludes with a huge finale of bells, guitars synths, kitchen sinks et al. Next up is "Wild" a song which your reviewer has become so smitten with it is with a sense of regret that the third track comes on. It is a pounding shimmering pop song with a superb vocal and imbued with that latent regret that the sweet raspy voice of Legrand should seek a patent to protect. Equal wonders follow not least the lifting bliss of "Lazuli" (appropriately a stone, revered for its intense blue radiance) where music pundits have noticed the Liz Frazier dimensions of Legrand's huge vocal.
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1 of 1 people found the following review helpful By Vakhtang Vakhtangidze on 31 July 2013
Format: Audio CD
Absolutely stunning! It was the first Beach House album I've listened to and I was simply bewitched by its depth and beauty! Some absolutely outstanding songs! Now when this album led me to 'Teen Dream' I can understand the comments regarding the lack of novelty but to be perfectly honest, I believe that ''In Bloom' is definitely a step forward because it is slightly darker, deeper and a tiny bit more mature... I absolutely LOOOOOOOOOOVE IT!
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1 of 1 people found the following review helpful By belvoirman on 7 July 2012
Format: Audio CD Verified Purchase
This album has a similar dreamy soundcape to the previous excellent Teen Dream . It features lots of moody keyboards from Victoria Le Grand with Alex Scully accompanying on guitar and keyboards . There are often dense arrangements, creating an ambient soundscape wash. Victoria Le Grand's lead vocals can sometimes be difficult to make out, but more lyrics emerge from the mix than on the previous album. These songs grow on you, with subtle nuances discovered on repeated listens , and they continue to create their own unique sound, maybe not disimilar to the Cocteau Twins at times. The arrangements are perhaps a bit more varied than on the previous album, but overall they never stray too far from the characteristic sound that they make together. So this is a gradual evolution, nothing revolutionary, ploughing their own distinct furrow. 10 new tracks gently flow over you ,immersing you in their ambient sound. With the high quality of their last offering, they seem to have taken the attitude if it ain't broke, no need for a radical fix, just a few tweaks here and there. It is their second strong album on the trot.
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