BLOOD HEAT has the honor of being the first of the New Adventures that I read. And, at the time, it was more than enough to pull me enthusiastically into the series. I was fascinated by the new companion, Benny. I was quite interested in the story-arc that began in this book. Seeing the old television stories in a new light and from a different perspective really warmed my inner fan-boy heart. Before I reread the story, now many years later, I couldn't wait to see how well it had aged. Although I had never read it since my initial perusal, it had always remained one of my favorite NAs.
To say that rereading this book came as a disappointment would be an enormous understatement. Perhaps it's because the NAs (and later, the EDAs) would reach much greater heights. Maybe I was a less sophisticated reader back in those days. But whatever the reason, I couldn't help but notice that many of the sequences really didn't seem to be much beyond the level of the Target novelisations. There are far too many action-oriented sequences that simply weren't interesting enough to sustain my attention. A lot of the characters varied between being stereotypical and just plain dull. The plot meandered into numerous vague areas; the storyline just feeling boring and uninspired. "Dreary characters wandering off on mind-numbing wild goose chases" is a summary of far too much of this story.
The book is structured around several moral dilemmas. When is war inevitable? What price is too high to pay for victory? To fight monsters, is it necessary to become one? Each of these questions (and the many others that the book raises) are interesting and intriguing concepts. Yet Mortimore never brings these questions out of the realm of one-dimensionality. Instead of complicated character motivations, we're treated to stock, clichéd ciphers. We have the warmongers, the peacemakers, and the pawns, but not one of them has apparently given more than thirty seconds of thought to their situation. Some very interesting questions are raised, but the answers that we're given are beyond shallow. Far too many of these apparently high-concept arguments just come across as overblown, superficial, and pretentious.
A few sequences and conversations that occur are fairly enjoyable. Unfortunately, they're rather spread out. It was a nice idea to see the how some familiar characters dealt with extraordinary circumstances, but the execution was sorely lacking in many areas. A few of these gems did manage to shine through; indeed, there's a powerful scene near the end where one of the characters takes his limited portrayal to the logical conclusion, creating an involving and emotional passage. But, unfortunately, this is the exception rather than the rule. For every one thing that I was interested in, there would be half a dozen things that had me rolling my eyes. Great massive chunks of this book could have been cut right out without losing anything. There would have been much to be gained from magnifying the things that this book did manage to succeed at, rather than having them buried under mounds of uninteresting and unbelievable moralizing. Giving the characters some realistic motivations wouldn't have hurt either.
If I hadn't reread this one, I would still have the much higher opinion of it that I formed back when I read it for the first time. Still it's interesting to read this in light of where the Doctor Who books were to go in the future. The topics and ideas discussed here about war and fighting monsters would be revisited again and again (a few times by Jim Mortimore himself). BLOOD HEAT shows these arguments in their immature infancy and at least we can see how much better they got.