Ruth Scurr, Times
'An intimate pleasure.'
The Sunday Times, 16th July 2006
"Murakami’s fictional world is extraordinary".
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Customer Reviews
Most Helpful Customer Reviews
12 of 13 people found the following review helpful
Format:Paperback
This is Murakami's first proper short story collection in English since The Elephant Vanishes. After the Quake, though also a collection of short stories, is more of a coherent work, whereas these two collections draw from stories published from all periods of Murakami's career, and from many different collections in Japanese.
The publication dates of the stories are not given and, as Murakami says in his introduction (a nice touch), many of the stories have been significantly revised since their first publication. Thus, there is little coherence and tracing the author's development of style and themes is almost impossible, even with the aid of the bibliography in translator Jay Rubin's very interesting biography/literary study (also published by Vintage).
Murakami's short stories are very good, sometimes excellent, but it is in the sustained brilliance of his novels where his true value as a writer lies. The stories in here are, on the whole, up to Murakami's usual standard.
As in his novels, truly bizarre and unexplainable occurs in these stories. The most bizarre here is a talking monkey hiding in the sewers of a Tokyo suburb, but this is only one example. The more I read Murakami, the more I think this mystical, seemingly meaningful, content actually means nothing at all. This only marginally lessens its interest and mystery, though. Maybe one day I'll change my mind and be able unlock these conundrums (`like Zen koans', as one of the characters in this collection notes).
Throughout Murakami's work, a regularly re-occurring theme is things going missing without any explanation. It's no different in these stories. Sometimes it's things (name tags), often men (stockbrokers), usually women (girlfriends). Like one of the stories in The Elephant Vanishes, some of the stories here are the seeds of the writer's novels, fragments of them in a slightly different form.
Masters of the short story like Dahl, Fitzgerald and Hemmingway warrant a 5 for some of their collections, but there just isn't enough depth in these stories to warrant that kind of credit. They are like beautiful little sketches whose greatest power is to evoke a mood - nearly always one of wistful sadness - extremely powerfully. Don't expect them to mean anything, though, because they probably don't.
The publication dates of the stories are not given and, as Murakami says in his introduction (a nice touch), many of the stories have been significantly revised since their first publication. Thus, there is little coherence and tracing the author's development of style and themes is almost impossible, even with the aid of the bibliography in translator Jay Rubin's very interesting biography/literary study (also published by Vintage).
Murakami's short stories are very good, sometimes excellent, but it is in the sustained brilliance of his novels where his true value as a writer lies. The stories in here are, on the whole, up to Murakami's usual standard.
As in his novels, truly bizarre and unexplainable occurs in these stories. The most bizarre here is a talking monkey hiding in the sewers of a Tokyo suburb, but this is only one example. The more I read Murakami, the more I think this mystical, seemingly meaningful, content actually means nothing at all. This only marginally lessens its interest and mystery, though. Maybe one day I'll change my mind and be able unlock these conundrums (`like Zen koans', as one of the characters in this collection notes).
Throughout Murakami's work, a regularly re-occurring theme is things going missing without any explanation. It's no different in these stories. Sometimes it's things (name tags), often men (stockbrokers), usually women (girlfriends). Like one of the stories in The Elephant Vanishes, some of the stories here are the seeds of the writer's novels, fragments of them in a slightly different form.
Masters of the short story like Dahl, Fitzgerald and Hemmingway warrant a 5 for some of their collections, but there just isn't enough depth in these stories to warrant that kind of credit. They are like beautiful little sketches whose greatest power is to evoke a mood - nearly always one of wistful sadness - extremely powerfully. Don't expect them to mean anything, though, because they probably don't.
47 of 58 people found the following review helpful
Format:Hardcover
A writer that expresses perfectly the isolation and loneliness of the modern world, Murakami's short stories are like peering through a dozen windows into a world where fantasy and reality mix, seperate and blend together again. His talent lies in the ability to take the mundane and make it fantastic, offering us a peek into ordinary lives sprinkled with the kind of surreal conversations and events that make you look around you whilst in the street or on the bus and wonder what all these people around you are really like.
I can't read any of his work without seeing the world differently afterwards, and this collection i could read over and over. Impossible to pigeon hole, each story has it's own distinct mood, but in each the atmosphere persists; that the world has a beauty that, if we just scratch the surface off the everyday, will be revealed.
If you're new to Murakami, start here or with The Elephant Vanishes, if you're familiar with his writing you will need no persuasion.
I can't read any of his work without seeing the world differently afterwards, and this collection i could read over and over. Impossible to pigeon hole, each story has it's own distinct mood, but in each the atmosphere persists; that the world has a beauty that, if we just scratch the surface off the everyday, will be revealed.
If you're new to Murakami, start here or with The Elephant Vanishes, if you're familiar with his writing you will need no persuasion.
1 of 1 people found the following review helpful
Format:Paperback
A short story collection from one of my favourite writers. Each of these tales is completely unique and mysterious in its own way. And each one has a brilliant kernel of an idea. As I read more Murakami I think I am starting to get an idea of what I like about him. Firstly there's his imagery. For some reasons he seems to paint pictures in your mind that consist of only primary colours. There are always blue skies and green grass. There is a freshness to his scenery that is absent from other peoples' work. Secondly there is his strange view of the world that has some consistency the more you read. In his fiction there are ideas of metaphysical bonds existing between not only humans but human inventions - things such as buildings, or clothes, or even names themselves. And these bonds seem to open up your mind to the possibility of some strange other world existing just beyond the dimensions of our own.
All of the stories in this collection are excellent and I guess you have to read them to understand why because trying to explain the plots is just too difficult. Suffice to say, if you like Haruki Murakami then you be sure to like this collection.
All of the stories in this collection are excellent and I guess you have to read them to understand why because trying to explain the plots is just too difficult. Suffice to say, if you like Haruki Murakami then you be sure to like this collection.
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Most Recent Customer Reviews
Underwhelming
Short stories. Feel like juvenilia: lots of stories based around jazz loving, 20-somethings, drifting through life and trying to work out love and relationships. Read more
Published 8 months ago by Frootle
Hruki Murakami
best author ever ! ab fab. really gives you an insight into Japanes culture. Have read almost all of his books now, never get tired of his style of writing.
Published 9 months ago by Pamela Baird
Bewildered....
I'm not at all sure what to make of these nuggets of literature. It's not that I dislike them, I don't. Read more
Published 16 months ago by Andy C
The monkey of our soul
Those are short stories, real short stories all built on one metaphor that is the inner meaning and the style of Murakami. Read more
Published on 23 May 2010 by Jacques COULARDEAU
Brilliant as usual...
After reading 'Norwegian Wood' I became an avid Murakami fan. This book is lots of fun. Various short stories that all tell a complete tale in their own right. Read more
Published on 10 Sep 2009 by Chris Warne
snippets of oddities
Great read if you know Murakami already. If you don't you may need to suspend reality and chuck away any idea about stories requiring a start, a middle and an end. Read more
Published on 24 July 2009 by W. Ridout
Short and sweet
Murakami's signature blend of surrealism, whimsy, and reality, are to the fore in this collection of short stories by the Japanese master of the literary style known as 'Magic... Read more
Published on 10 May 2009 by Captain Pugwash
Breathtaking: I'm speechless.
Flawless in almost every sense. After every tale of this wonderful collection I was left in awe. Murakami is able to somehow create another world in which the reader finds... Read more
Published on 14 Jan 2009 by KS~
short stories led long thoughts
Various strange but thought provoking collection of short stories that I really liked and could not stop reading once I started. Read more
Published on 7 Mar 2008 by S. You
Blind Willow, what is it all about.
I received this book for xmas 07, and from reading the reviews on the cover couldn't wait to start reading it. Read more
Published on 27 Jan 2008 by Emma
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