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LaPlante’s heroine DI Anna Travis is used to pressure -- being a woman in authority in the police force is never easy, and her ex-lover and boss DCS James Langton (from whom she’s unsuccessfully tried to steer clear in the past) has brought her into a team of investigators with a difficult case. Near a motorway service station, a young woman’s body is found, and Anna and Langton’s team come to realise that they have a triple murder investigation on their hands. But then Anna is contacted by a murderer she had helped to bring to book – he is prepared to talk to her – and only to her. Is this sinister figure to be her entrée into the mind of another killer?
No nuances here – just straightforwardly gripping LaPlante fare. What makes Blind Fury so readable, though, is not the briskly-delivered narrative or even the characterisation of the always believable Anna Travis; it is the treatment of the villain, playing grim mind games with Anna. Cut from a familiar cloth, perhaps, and the shades of Hannibal Lecter and Clarice Starling are never far away (La Plante is a dedicated Thomas Harris admirer), but who cares? This is sterling stuff. --Barry Forshaw --This text refers to the Hardcover edition.
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