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A Blandings collection
The ivied walls of Blandings Castle have seldom glowed as sunnily as in these wonderful stories - but there are snakes in the rolling parkland ready to nip Clarence, the absent-minded Ninth Earl of Emsworth, when he least expects it.
For a start the Empress of Blandings, in the running for her first prize in the Fat Pigs Class at the Shropshire Agricultural Show, is off her food - and can only be coaxed back to the trough by a call in her own language. Then there is the feud with Head Gardener McAllister, aided by Clarence's sister, the terrifying Lady Constance, and the horrible prospect of the summer fête - twin problems solved by the arrival of a delightfully rebellious little girl from London. But first of all there is the vexed matter of the custody of the pumpkin.
Skipping an ocean and a continent, Wodehouse also treats us to some unputdownable stories of excess from the monstrous Golden Age of Hollywood.
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You find out more about why Clarence doesn't like to have his son, the Honorable Freddie around. You also learn about how the Empress of Blandings won her first Fat Pigs competition. The Custody of the Pumpkin shows Clarence as a plant-focused competitor before he became a pig-focused one. Mr. Wodehouse also lets us know how Freddie came to marry his wealthy wife and join the dog biscuit business in the States. Some of these stories have plots that could have been turned into novels, which makes the short stories all the better. The most delicious of the stories is a sweet tale of Clarence taking it upon himself to do the right thing in Lord Emsworth and the Girl Friend.
The seventh tale is a typical Wodehouse country hullabaloo as Bobbie Wickham manipulates all involved to her advantage in dispatching an unwelcome suitor . . . playing the role for herself the Jeeves and Gally usually play in resolving romantic mishaps. It's clever and ever so liberated.
In the last five stories, P.G. Wodehouse unleashes his dissatisfaction with the Hollywood studios into acid satires of moguls and their foibles. For those who know the Hollywood of those days, these tales are almost biographical. Like the Canterbury Tales, there's a delightful element of exaggeration that makes the humor ever so much more tangy. If you dislike phonies, incompetents and those who are out for only themselves, you'll love these stories. If you don't like biting satire, skip these stories. You'll like the earlier seven.
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