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19 of 22 people found the following review helpful:
5.0 out of 5 stars
Absolutely brilliant and genuinely frightening, 8 Oct 2003
The Blair Witch Project is the most brilliantly creepy movie I have ever seen. I can no longer say just how many times I've watched this film, but I become more and more impressed with its production with each viewing. I can't really imagine how so many people can claim that this film didn't scare them in the least. I am a long-time horror fan, inured long ago to almost everything the movie studios throw out there on the big screens with a "frightening" label. The Blair Witch Project, I am delighted to say, creeped me out quite impressively. It may well be that this is a different movie experience depending on the venue of its audience. Those watching the film for the first time at home can turn off all their lights and watch the movie in the dark, but there is really no way to recreate or equal the powerful mood and atmosphere that came rushing in icy waves on to a theatre audience. When I go to see horror movies, there is almost always some laughter to be heard from time to time, and usually I am the one doing the laughing. Once Heather, Michael, and Josh got into the Maryland woods and the spooky meter began to rise, an eerie, almost unprecedented silence took over those of us sitting in the theatre. There was no laughter; I heard no one sucking on a straw or chomping on popcorn; no adolescents whispered back and forth. There was no longer an audience around me; I and the film were locked together in a mortal embrace, and as the suspense built up at the end I felt as if some force were pushing me farther and farther back into my seat. When the movie ended, I don't remember anyone really talking about what they had just seen; I think we all just wanted to get the heck out of that darkened theatre. That kind of experience, I must say, is what my horror dreams are made of. Viewing the film at home just cannot recreate the movie experience.To me, The Blair Witch Project is simply brilliant in many, many ways. First, of course, Eduardo Sanchez and Daniel Myrick used the Internet to build up a hype of unprecedented proportions for this film many months before its general release, creating a thriving fan base drawn deeply into the legend of the Blair Witch and the mysteriously doomed student film project, mucking up the waters of truth and fiction into a bloody froth that attracted horror sharks such as myself from far and wide. Then there was the SciFi Channel documentary Curse of the Blair Witch that was released just prior to the film's release. In this remarkably professional and believable documentary, the fictional story of the movie was given sturdy legs with which to scurry around the truth. The actors used in the documentary were amazingly good, and the use of family photos, old historical documents and letters, newspaper articles, television news features, interviews with law enforcement, family and friends, etc., did a great job of masquerading fiction as reality. Even those of us who knew going into the theatre that this was a work of pure fiction could allow ourselves to wonder if the story could still actually be true, and that suspension of disbelief did much to increase the power of what I saw on the big screen. Heather Donahue, Joshua Leonard, and Michael Williams were simply brilliant. Their displays of fright, rage, and hopelessness were stunningly believable; of course, some credit for the actors' performances must also go to the geniuses behind the film. I would imagine that the dark woods would become quite unnerving after a few nights, even when you know that whoever or whatever is out there is just someone associated with the film production, and the fact that the characters were forced to endure sleep-deprived nights and grueling daytime hikes over the course of a full week had to do wear down the defenses of the actors and bring to the surface emotions and expressions that lie too deeply to be accessed simply on command. I am still fascinated to read about the way in which things were managed in the filming. The actors ad libbed almost everything they said and did, which is actually quite amazing. At times, though, they had to redo things in order to please the filmmakers; the best example of this comes in the movie's final scene. As I understand it, the scene in the movie is actually a second night's shoot of those events, as things did not go quite the way the filmmakers wanted on the first night. To see that kind of emotion and fear portrayed by an exhausted Michael and Heather on a second night's take is just outstanding. This horror fan welcomed such a refreshingly new type of movie to the fold. I like blood and gore as much as anyone, but true fright is best achieved by unspectacular yet highly personal events taking place in what looks very much like the real world as we know it. Millions of dollars have never made an expensive, special effects-laden horror movie as creepy as this extremely low-budget masterpiece of mood, atmosphere, and unseen things that go bump in the night.
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