Graffiti on Paper. Eight years after releasing the first part of the Stylefile Blackbook Sessions series, we take a ride on the fourth round - an army of writers is still not sick of bringing a style forward, which was sometimes developed over some decades. If you take a look at pieces done on walls or trains, you can easily see the changes from the outside - but a sheet of paper is still the fundament for cultural and generational letter bending. This base, mostly collected in blackbooks and protected, like it was the very own eyes, has ever been the object of desire for everyone interested in graffiti - seen by everyone, but the