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Black Sun [2005] [DVD]

Gary Tarn    Exempt   DVD
4.8 out of 5 stars  See all reviews (4 customer reviews)
Price: £7.50 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Black Sun [2005] [DVD] + Celia [DVD] [1989]
Price For Both: £16.56

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Product details

  • Directors: Gary Tarn
  • Format: PAL
  • Language: English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 16:9 - 1.78:1
  • Number of discs: 1
  • Classification: Exempt
  • Studio: Secondrun
  • DVD Release Date: 12 Nov 2007
  • Run Time: 70 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • ASIN: B000WOTTSI
  • Amazon Bestsellers Rank: 34,193 in Film & TV (See Top 100 in Film & TV)

Reviews

Product Description

Painter Hugues de Montalembert was blinded in an attack in New York City in 1978. Without a shred of self-pity, he relates his extraordinary story of how he adapted his approach to the world after blindness, and continued living and travelling unaided through the world. As he says, 'vision is a creation ... some people use their eyes to avoid obstacles, not to look at the world or to understand something. In fact they are not really interested in looking at all.' Composer and filmmaker Gary Tarn has created a film that approximates to what it is like to see through Montalembert's eyes. If you want an affirmative, uplifting and courageous tale that is neither sanctimonious nor saccharine, and leaves you consideriung your own attitude to life, and how little you really make use of all the senses you have, then this is it.

Product Description

United Kingdom released, PAL/Region 0 DVD: LANGUAGES: English ( Dolby Digital Stereo ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: Gary Tarn's remarkable film Black Sun, winner of many international awards and co-produced by Alfonso Cuarón (Y tu mamá también, Children of Men) and John Battsek (One Day in September), tells the story of Hugues de Montalembert, a French artist and filmmaker living in New York, who was blinded during a violent assault in 1978. With this portrait of an unique man and his extraordinary reaction to a life-changing trauma, Tarn has created an expressionist film whose power lies in visualising a world from the perspective of the blind de Montalembert. Part- survivor's testimony, part- philosophical meditation on the nature of perception, Black Sun is a celebration of life that makes us see the world anew. SCREENED/AWARDED AT: British Independent Film Awards, ...Black Sun

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4.8 out of 5 stars
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Most Helpful Customer Reviews
6 of 6 people found the following review helpful
4.0 out of 5 stars Very good but not perfect 19 Sep 2009
Format:DVD
This is a very good film and one well worth shelling out for, since it rewards repeated viewings. The music is beautiful, the insights that it offers are (for a sighted viewer at least) likely to be fresh and revealing and it is pleasingly without a trace of patronising or sentimentality.
That said, it isn't perfect.

I first saw this film at a screening where director Gary Tarn was available for a Q&A afterwards. The film's almost Zen like state of serenity and its purity (ethereal music and just one voice) risked sending the viewer to sleep but also rendered it criticism-proof. Yet on a second viewing, as a blind person myself, I can detect faults.

As I understood it from the Q&A (and I may be mistaken), Hugues de Montalembert is a friend of Gary's, and the dialogue came from 4 hours worth of conversations. As someone who studied journalism, I can't help feeling that this is surprisingly little, and I do wonder if Gary might have benefited from being a little more probing. Of course this is just one man's experience, but as a visual artist with visual artist friends, how did Hugues retain a frame of reference
so that they could still have satisfying conversations? How does he feel about his attacker? While many blind people (myself included) have experienced hallucinations, were there catalysts such as previous drug experiences or religious background? Last of all, I am intrigued by the eccentric decision to write pages and pages of handwritten manuscripts. To what did these
relate and did it represent an attempt to hold onto a sighted paradigm? I'll take Hugues
at his word on this, but can't help cynically noting a similar scene in Jose Saramago's worryingly over-rated novel Blindness.

The comparison with Blindness (the novel and film) is appropriate as I write this shortly after having seen Fernando Meirelles adaptation of Saramago's novel. The film improved on its source material and while neither version of Blindness came close to Gary Tarn's accomplishment with
Black Sun, it has to be noted that Hugues de Montalembert does represent a blind stereotype, namely the mystic. For all the implausibilities in the characters developed by Saramago / Meirelles, they remain neither symbols nor stereotypes.

So then, these are a few qualifiers to my appreciation of Black Sun. However I would hate them to put people off seeing what is still an exceptional film and one that I highly recommend.
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2 of 2 people found the following review helpful
5.0 out of 5 stars an extended moral and existential journey 3 Jun 2008
Format:DVD
A magnificent piece of work that recounts an extended moral and existential journey into vision and the imagination. One of those rare films that transforms the way you see and understand the world.
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5.0 out of 5 stars Should be compulsory viewing for all. 18 Nov 2008
Format:DVD
Quite simply one of the most remarkable films ever made.

The true story of an artist who was suddenly blinded without prior warning.

He describes the process of going blind, the changes in his life since he became blind, and his changed outlook on life.

Makes one thankful for every minute of life.

The film is a narrative with atmospheric and emotional music plus scenes relevant to the artist's life story.

It should be shown in all schools to pupils in their early teens.

As important a film as one might ever see.
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