While better known for his Leo Waterman series, G. M. Ford has begun an interesting new series featuring the reclusive Frank Corso. First seen in Fury, Frank Corso is back and as dark as ever. Since this novel picks up approximately seven months after events depicted in Fury and refers to those events repeatedly throughout this novel, I would strongly urge prospective readers to read Fury first before reading this novel. It simply isn't possible to review this novel without giving away a few details, which would be better covered in their entirety in Fury. Having said that, I am simplifying greatly the plot and storyline to keep out as much as possible for those unfamiliar with the previous novel.
For years, the government has chased the Russian mobster Nicholas Balagula through one trial after another with no success. Balagula sees United States justice as a game-a game where he has always won by jury tampering, violent intimidation and the murder of witnesses. Now, he is on trial once again. This time, he is being tried for the deaths of 63 people who lost their lives in a hospital building collapse. The trail has been moved from California up to Seattle and extraordinary measures are being taken to protect the safety and integrity of the jury and the case.
Frank Corso is the only non-participant allowed to attend the murder trial of Balagula. His well-publicized notoriety and connections gets him unlimited access and he hopes to turn the project into another one of his true crime books. While he wants another success on his hands, he also wants the government to win. At the same time, with a grandstanding golden boy of the United States Attorney's Office in charge, Warren Klein, he has his doubts whether they can do the job. It looks like his suspicions are correct as from the beginning the trial things begin to go wrong and like most golden boys of one stripe or another, Klein blames everyone else for his mistakes.
While his suspicions concerning the case have been initially confirmed, Corso isn't really paying attention. His old flame and very special friend, Meg Dougherty, is in intensive care in the hospital. Apparently in her occupation as a photojournalist, she witnessed something so horrendous that she drove her car under a parked semi in a desperate attempt to get away that nearly resulted in her death. Corso wants to find out what she saw as well as clearing himself from the suspect list as the police seemed convinced that he had some hand in her near death.
Frank Corso is an interesting and hard to define character. This novel reveals a little more about his personality and what drives him while at the same time managing to hide a tremendous amount behind his darkly complex personae. As in his other books, a certain sense of darkness and moral decay pervades the work. Full of interesting complex characters, tight writing and multiple themes make this another good read. Once again, he provides a journey where justice is not an absolute black and white stereotype, but shades of gray. G. M. Ford's books are never simplistic stories with two-dimensional characters but complicated stories featuring multidimensional characters and shades of moral nuance. As always, this is another one of his books well worth reading.