When I was first played this album, by a friend at school way back in the Seventies, I shut myself in his room and replayed it at least half a dozen times! I think my friends thought me a bit mad, but I had never heard such a completely integrated sound, delivered in such a professional way before. It was this record that prompted me to explore the avenues of Jazz/Rock, leading me to others of the genre such as Mahavishnu Orchestra, Herbie Hancock, Stanley Clarke and Billy Cobham to name but a few.
Chester Thompson and Narada Michael Walden, together with two percussionists, provide a solid foundation augmented by Alphonso Johnson and the inimitable Jaco Pastorius on bass. Wayne Shorter's mournful saxophone provides the lead and the whole thing is brought together by the masterful Joe Zawinul on keyboards and effects. Individually, the musicianship is undeniably brilliant, but the combined effect is nothing short of astonishing. While the earlier Tale Spinnin' had a more ebullient Caribbean flavour, Black Market has more of a Mediterranean feel to it - heavier and more powerful, with eastern overtones. Unequivocally recommended!